{"id":58,"date":"2020-12-18T15:25:16","date_gmt":"2020-12-18T14:25:16","guid":{"rendered":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/?page_id=58"},"modified":"2026-07-02T15:11:05","modified_gmt":"2026-07-02T13:11:05","slug":"publications-des-membres","status":"publish","type":"page","link":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/accueil\/publications-des-membres\/","title":{"rendered":"Publications des membres"},"content":{"rendered":"<div>\n<h2>\u00c0 para\u00eetre<\/h2>\n<p>Sous presse \/ en cours \/ accept\u00e9s :<\/p>\n<\/div>\n<ul>\n<li>Actes du colloque \u00ab\u00a0Temporalit\u00e9s alternatives\u00a0\u00bb : UQAM <span id=\"OBJ_PREFIX_DWT6068_com_zimbra_date\" class=\"Object-hover\" role=\"link\">mai 2023<\/span><\/li>\n<li>Actes du colloque \u00ab Ma\u00eetres des horloges ? Pouvoir, autorit\u00e9 et temporalit\u00e9(s) en culture de l\u2019\u00e9cran \u00bb, Universit\u00e9 Paul-Val\u00e9ry Montpellier 3, Montpellier, 28-<span id=\"OBJ_PREFIX_DWT6069_com_zimbra_date\" class=\"Object\" role=\"link\">30 septembre 2023<\/span>.<\/li>\n<li>Actes du Colloque interdisciplinaire : \u00ab Pouvoir et autorit\u00e9 \u00e0 l\u2019\u00e9preuve des vuln\u00e9rabilit\u00e9s \u00bb, <span id=\"OBJ_PREFIX_DWT6070_com_zimbra_date\" class=\"Object\" role=\"link\">Paris 8<\/span>, 29 septembre au <span id=\"OBJ_PREFIX_DWT6070_com_zimbra_date\" class=\"Object\" role=\"link\">01 octobre 2022<\/span><\/li>\n<li>Capdeville, Val\u00e9rie &amp; Brian Cowan (eds.), <em>The Oxford Handbook of the History of the European Enlightenment<\/em>, Oxford University Press, en cours.<\/li>\n<li>Desblaches, Claudia, <em>Po\u00e9tiques de l&rsquo;inattendu: du r\u00e9el au monde quantique dans les formes courtes de la litt\u00e9rature anglophone<\/em>, EDUL, \u00e0 para\u00eetre en juin 2026, collection monde anglophone, coordonn\u00e9e par Stephane Guy.<\/li>\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Desblaches, Claudia, Christophe Camus, Agathe Dirani, Stefan Neuwirth<i>, Indiscipline et Inattendu comme moteurs de la cr\u00e9ation, entre arts et sciences<\/i>, <i>Epist\u00e9mocritique<\/i>, en cours d\u2019\u00e9valuation, 2026.<\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Malena M\u00f6rling, Eric Tessier and Claudia <strong>Desblaches<\/strong>,<em> \u201cBesides signs and sounds: Translation as recreation\u201d,<\/em>in <em>La traduction au prisme de la recherche-cr\u00e9ation<\/em>, \u00e0 para\u00eetre en juin 2026 dans la collection Vita Traductiva (York University), volume 1, coordonn\u00e9 par Virginie Buhl, Audrey Coussy et Pauline Jaccon. <\/span><\/span><\/li>\n<\/ul>\n<h2>2026<\/h2>\n<p>Bauer, Sylvie, Centi Christelle, Machinal H\u00e9l\u00e8ne, Michlin Monica, Regnauld Arnaud (dir.), <em>Biopouvoir en culture de l&rsquo;\u00e9cran<\/em>, Presses Universitaires de Rennes, 2026<\/p>\n<p><span style=\"font-family: 'calibri light', sans-serif;\">Capdeville, Val\u00e9rie, St\u00e9phane Jettot &amp; Kimberley Page-Jones (eds.), <em>Sociabilities on the Move (1650-1820): Political, Professional and Revolutionary Mobilities<\/em>, Boydell &amp; Brewer, 2026<\/span><\/p>\n<p><span style=\"font-family: 'calibri light', sans-serif;\">Capdeville, Val\u00e9rie, <em>Club Sociability in Colonial America (1720-1776)<\/em>: <em>From British Tradition to American Experience. <\/em><span style=\"mso-bidi-font-style: italic;\">Manchester University Press, <\/span><\/span><span style=\"font-family: 'calibri light', sans-serif;\">2026<\/span><\/p>\n<p>Chartier, Fabien, &lsquo;Rabindranath Tagore (1961)&rsquo;, in Amandine d&rsquo;Azevedo et Eva Markovitz, Satyajit Ray, <em>Ce que j&rsquo;ai toujours su c&rsquo;est dessiner<\/em>, Editions de l&rsquo;Oeil, Paris, 2026.<\/p>\n<p>Cloarec, Nicole, \u201c\u2018Uncoupling the national from the nationalistic\u2019 in <em>Don<\/em>&lsquo;<em>t Forget the Driver<\/em> (BBC 2019),\u201d in <em>Caliban <\/em><em>75\u00a0|\u00a02026 What Makes British TV Series British? <\/em><a href=\"https:\/\/doi.org\/10.4000\/16dd4\">https:\/\/doi.org\/10.4000\/16dd4<\/a><\/p>\n<p>Dardenne, Emilie, <em>Penser la condition animale<\/em>. Outils critiques, Paris : Presses de Sciences Po, 2026.<\/p>\n<p>Dardenne, Emilie, <em>Les Animaux de compagnie<\/em>, avec Fran\u00e7ois-Xavier Roux-Demare, Paris : Puf, coll. Que Sais-Je ?, 2026.<\/p>\n<p>Dardenne, Emilie, \u00ab\u00a0Animal Liberation, 1975-2025 and Beyond. La Lib\u00e9ration animale, 1975-2025 et au-del\u00e0\u00a0\u00bb, avec Antonin Broi et Romain Espinosa, <em>Revue d\u2019\u00c9tudes Benthamiennes<\/em>, Vol. 30, d\u00e9cembre 2026, \u00e0 para\u00eetre.<\/p>\n<p>Catrin Peterson, <strong>\u00c9milie Dardenne,<\/strong> V\u00e9ronique Deiss, Val\u00e9rie Fillon, David Le Roux, Christine Leterrier, Avelyne S. Villain, \u00c9lodie Merlot,\u00a0<a href=\"https:\/\/link.springer.com\/epdf\/10.1007\/s10806-026-09984-6?sharing_token=JxcYxYFxblOfUtjj11aVUfe4RwlQNchNByi7wbcMAY4am3UkMKCB04We-LEnDw_pOmzLOb9PtsYFNS9qlUKlrqky-QUjnKx_YO1pdvgbovUOVOWKPgiTLvD9YtHyYP4U4TgHY7xnL7QDIdPUoG7wxrDsffNC2C6LSNqcqi6xgmw%3D\">\u00ab\u00a0A Reflexive Analysis of Writing Practices in Biology: How Scientific Language Erases Farm Animals and Researchers\u00a0\u00bb<\/a>,\u00a0<i>Journal of Agricultural and Environmental Ethics, <\/i>2026<\/p>\n<p>Desblaches, Claudia, \u00ab\u00a0<em>\u00ab\u00a0Emergent manners of seeing in \u00ab\u00a0The Atlas of Man\u00a0\u00bb, <\/em>from<em> Once Human, stories <\/em>by Steve Tomasula\u00a0\u00bb\u00a0\u00bb, <em>Electronic Book Review<\/em>, Steve Tomasula, <em>The Art of Representation<\/em>, 2026.<\/p>\n<p>Goarzin, Anne et Mikowski, Sylvie (dir.) \u00ab Enfance et jeunesse en Irlande\/Children and the Youth in Ireland \u00bb, num\u00e9ro th\u00e9matique 51.2, <em>Etudes Irlandaises<\/em>, PU Caen, sous presse &#8211; \u00e0 para\u00eetre en 2026.<\/p>\n<p>Goarzin, Anne, \u201cReading John McGahern as an Ethical Adventure\u201d, In Barry Houlihan, Eamon Maher, Derek Hand, and Kate Costello-Sullivan, eds., <em>A Companion to John McGahern,<\/em> Syracuse UP, sous presse &#8211; \u00e0 para\u00eetre in 2026<\/p>\n<p>Alexandra Revez <sup>a<\/sup>, Evan Boyle <sup>a<\/sup>, Anne <strong>Goarzin<\/strong> <sup>b<\/sup>, Edmond Byrne <sup>a<\/sup> <sup>c<\/sup>, Jesse D. Peterson <sup>d<\/sup>, Fionn Rogan <sup>a<\/sup>, Claire Connolly <sup>e<\/sup>, Aoife Deane <sup>a<\/sup>, James Cuffe <sup>f<\/sup>, Roman Le Goff Latimier <sup>g<\/sup>, Caitr\u00edona \u00d3 Dochartaigh <sup>h<\/sup>, David Espes <sup>i<\/sup>, Brian \u00d3 Gallach\u00f3ir <sup>a, <\/sup>\u00ab\u00a0New directions for interconnector research: drawing from social sciences and humanities perspectives to explore the Celtic Interconnector\u00a0\u00bb, <a href=\"https:\/\/www-sciencedirect-com.distant.bu.univ-rennes2.fr\/journal\/energy-research-and-social-science\">Energy Research &amp; Social Science<\/a> <a href=\"https:\/\/www-sciencedirect-com.distant.bu.univ-rennes2.fr\/journal\/energy-research-and-social-science\/vol\/131\/suppl\/C\">Volume 131<\/a>, January 2026.<\/p>\n<p>Labourg, Alice, <em>Ic\u00f4nes gothiques, Le portrait dans les romans d&rsquo;Ann Radcliffe<\/em>, Presses universitaires de Rennes, 2026.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, \u00ab\u00a0Biopouvoir, comm\u00e9rages et communaut\u00e9 \u00e0 Wisteria Lane\u00a0\u00bb in Bauer et al., <em>Biopouvoir en culture de l&rsquo;\u00e9cran<\/em>, Presses Universitaires de Rennes, 2026, pp. 169-182<\/p>\n<p>Groutel ,Anne et <strong>O\u2019Keeffe-Vigneron<\/strong>, Grainne (eds), <em>Ireland and Soft Power: Roots, Reach, Realities<\/em> (Manchester University Press: Manchester, 2026).<\/p>\n<p>Groutel, Anne et <strong>O\u2019Keeffe-Vigneron<\/strong>, Grainne, \u201cSoft Power Dynamics in the Irish Context: From Theory to Practice\u201d, dans <em>Ireland and Soft Power: Roots, Reach, Realities<\/em> (Manchester University Press: Manchester, 2026).<\/p>\n<p>Still, Taylor. \u00ab\u00a0Stages of Growth: Youth Theatre, Creative Empowerment and Young People in Ireland, 1977-2025\u00a0\u00bb, <em>Etudes Irlandaises,<\/em> Vol. 51 (1) &#8211; Enfance et jeunesse en Irlande, 2026 (\u00e0 para\u00eetre).<\/p>\n<p>Still, Taylor. D&rsquo;Alen\u00e7on, Camille (eds.) <em>Journal of Franco-Irish Studies,<\/em>\u00a0Vol. 10 (1) &#8211; Slowness \/ La lenteur, 2026 (\u00e0 para\u00eetre).<\/p>\n<h2>2025<\/h2>\n<p>Bauer, Sylvie, \u201cEmpathy towards an artificial construct?\u201d Des machines et des hommes dans Do Androids Dream of Electric Sheep de Philip K. Dick in <em>Machines sympathiques ?<\/em>, Juliette Grange, Sylvie Humbert-Mougin, Anne Ullmo eds Paris : Editions Kim\u00e9, 2025 pp. 249-262<\/p>\n<p>Bauer, Sylvie, \u00ab Collisions temporelles entre pass\u00e9 d\u00e9compos\u00e9 et futur d\u00e9sincarn\u00e9 dans Skin Elegies de Lance Olsen \u00bb. <em>Captures<\/em>, 10(1, 2025). <a href=\"https:\/\/doi.org\/10.7202\/1122015ar\">https:\/\/doi.org\/10.7202\/1122015ar<\/a><\/p>\n<p>Chartier, Fabien, \u00ab\u00a0Jean Gu\u00e9henno en Inde, novembre 1961\u00a0\u00bb, <em>Le Monde de Gu\u00e9henno-Cahiers Jean Gu\u00e9henno<\/em> n\u00b011, Khora-Institut de France, 2025, pp. 69-88.<\/p>\n<p>Chartier, Fabien, <em>Rabindranath Tagore and France, An Intercultural Dialogue<\/em>, Sampark-Global, Calcutta, 2025, 300 pp.<\/p>\n<p><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black;\">Cloarec, Nicole,<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> \u201cOccupational hazards or the corrupting power of genre movies in <em>Berberian Sound Studio<\/em> (Peter Strickland, 2012) and <strong><em><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; font-weight: normal;\">Censor<\/span><\/em><\/strong> (Prano Bailey-Bond, 2021)\u201d <\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: ES;\">in <\/span><em><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Film Journal<\/span><\/em><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> 10, <a href=\"http:\/\/filmjournal.org\/film-journal-10\/\">http:\/\/filmjournal.org\/film-journal-10\/<\/a><\/span><\/p>\n<p>Dardenne, Emilie et R\u00e9jane S\u00e9nac (dir.), Num\u00e9ro sp\u00e9cial de la revue<a href=\"https:\/\/www.erudit.org\/fr\/revues\/npss\/\"><em>Nouvelles perspectives en sciences sociales<\/em><\/a> sur le th\u00e8me \u00ab\u00a0Dominations et \u00e9mancipations \u00e0 partir de la fronti\u00e8re animal\/humain\u00a0\u00bb, vol. 21, n\u00b0 1, novembre 2025.<\/p>\n<p>Dardenne, Emilie, \u201cCat\u00e9goriser, dominer, \u00e9manciper : l\u2019animal(isation) comme prisme\u201d, co\u00e9crit avec R\u00e9jane S\u00e9nac, <em>Nouvelles Perspectives en Sciences Sociales<\/em>, num\u00e9ro sp\u00e9cial Dominations et les \u00e9mancipations \u00e0 partir de la fronti\u00e8re animal\/humain, \u00c9milie Dardenne et R\u00e9jane S\u00e9nac (dir.), Vol. 21, n\u00b0 1, 2025, p. 15-26.<\/p>\n<p>Dardenne, Emilie, \u201cDe l\u2019analogie \u00e0 l\u2019enchev\u00eatrement : esclavisation humaine et exploitation animale\u201d, <em>Nouvelles Perspectives en Sciences Sociales<\/em>, num\u00e9ro sp\u00e9cial Dominations et les \u00e9mancipations \u00e0 partir de la fronti\u00e8re animal\/humain, \u00c9milie Dardenne et R\u00e9jane S\u00e9nac (dir.), Vol. 21, n\u00b0 1, 2025, p. 119\u2011160.<\/p>\n<p>Jeanniard du Dot, Ma\u00eblle. \u00ab Wayfarers, Ghosts and Viruses: Figures of Transmission in Hari Kunzru&rsquo;s novels \u00bb. <em>Postcolonial Literatures and Arts<\/em> [En ligne], 3.1 | 2025. URL : <span dir=\"ltr\">URL<\/span> : <a href=\"http:\/\/journals.openedition.org\/pla\/3023\">http:\/\/journals.openedition.org\/pla\/3023<\/a><\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, \u201cRadio and Democracy: Recovering the History of Municipal Radio in the United States.\u201d <em>Radio Journal:International Studies in Broadcast &amp; Audio Media<\/em> 23, no. 1 (April 1, 2025): 83\u2013101. <a href=\"https:\/\/doi.org\/10.1386\/rjao_00109_1\">https:\/\/doi.org\/10.1386\/rjao_00109_1<\/a>.<\/p>\n<p>Le Voguer Gildas, \u201cInvestigating Donald Trump: A Tale of Heroes and Villains.\u201d <em>Journal of the Tunisian Association for American Cultural Studies (TAACS)<\/em>, Tunis, 2025, p. 15-35.<\/p>\n<p>Le Voguer Gildas, Recension de l\u2019ouvrage de Fr\u00e9d\u00e9ric Lemieux, <em>Intelligence and State Surveillance in Modern Societies: An International Perspective<\/em>, <em>\u00c9tudes fran\u00e7aises de Renseignement et de Cyber<\/em>, N\u00b04, printemps 2025, p. 184-188.<\/p>\n<p>Machinal, H\u00e9l\u00e8ne, \u00ab Dark Skies : un ovni qui annonce les s\u00e9ries \u00e0 narration complexe \u00bb, <em>TVSeries<\/em> Hors s\u00e9rie 2, \u00ab S\u00e9ries am\u00e9ricaines de network \u00bb, <a href=\"https:\/\/journals.openedition.org\/tvseries\/8740\">https:\/\/journals.openedition.org\/tvseries\/8740 <\/a><\/p>\n<p>Philippe Manon, \u00ab \u2018Are we up to the task?\u2019: exploring the syntactic and semantic frontiers of BE UP TO and other aspectual-modal idioms \u00bb, <em>Anglophonia<\/em>, 40, 2025<\/p>\n<p>Oriez, Sandrine, <em>Initiation \u00e0 la linguistique anglaise<\/em>, Licence, Master, Concours, Paris, Ophrys, 2025, 146 pages.<\/p>\n<h2>2024<\/h2>\n<div>\n<p>Bauer, Sylvie, \u201cI\u2019m a fat old man who doesn\u2019t like mysteries\u201d: detective fiction in Assumption, by Percival Everett, Polygraphiques &#8211; Collection num\u00e9rique de l&rsquo;ERIAC EA 4705 URL : https:\/\/publis-shs.univ-rouen.fr\/eriac\/951.html<\/p>\n<p>Bauer, Sylvie, \u00ab <i>Waste<\/i>, by Eugene Marten: Lost in the Wasteland \u00bb, <i>Transatlantica <\/i>[En ligne], 1 | 2024, mis en ligne le 01 juin 2024<\/p>\n<p>Besnard, Anne-Laure et Hanote, Sylvie. 2024. \u00ab Introduction \u00bb, <i>Anglophonia<\/i> [En ligne]\u00a038. https:\/\/doi.org\/10.4000\/15lh7<\/p>\n<\/div>\n<p>Hanote, Sylvie, <strong>Besnard<\/strong>, Anne-Laure et Le Prieult, Henri (eds.). 2024. <i>Anglophonia<\/i>\u00a0[En ligne] 38 : <i>Transmission(s)<\/i>. https:\/\/doi.org\/10.4000\/15lh8<\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-style: italic;\">Caignet, Aurore,<span dir=\"ltr\">\u00ab Jennifer Foster, <em>Post-Industrial Urban Greenspace Ecology, Aesthetics and Justice<\/em>, Oxon: Routledge, 2023, 164\u00a0p.\u00a0\u00bb<\/span>,\u00a0<em>Revue LISA\/LISA e-journal<\/em> [En ligne], 22 (57), 2024.<\/span><\/p>\n<p><span style=\"font-family: 'calibri light', sans-serif;\">Capdeville, Val\u00e9rie &amp;<\/span><span style=\"font-family: 'calibri light', sans-serif;\"> Alain Kerherv\u00e9 (eds.), <\/span><em style=\"mso-bidi-font-style: normal;\"><span style=\"font-family: 'calibri light', sans-serif;\">British Sociability in the Long Eighteenth Century: Challenging the Anglo-French Connection.<\/span><\/em> <span style=\"font-family: 'calibri light', sans-serif;\">Woodbridge: Boydell &amp; Brewer, 2019, 2024 (Paperback), 304p.<\/span><\/p>\n<p>Chartier, Fabien, &lsquo;Tagore en France&rsquo;, BnF\/Patrimoines partag\u00e9s-Asie du Sud, Paris, novembre 2024, <a href=\"https:\/\/heritage.bnf.fr\/france-southasia\/tagore-en-france\">https:\/\/heritage.bnf.fr\/france-southasia\/tagore-en-france<\/a>.<\/p>\n<p>Chartier, Fabien, &lsquo;Tagore et Santiniketan&rsquo;, BnF\/Patrimoines partag\u00e9s-Asie du Sud, Paris, novembre 2024, <a href=\"https:\/\/heritage.bnf.fr\/france-southasia\/tagore-et-santiniketan\">https:\/\/heritage.bnf.fr\/france-southasia\/tagore-et-santiniketan<\/a>.<\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-style: italic;\">Cl\u00e9ment, Guillaume,<\/span>\u00a0\u00ab\u00a0Working-class and middle-class in the age of Brexit: social commentary by contemporary post-punk bands\u00a0\u00bb, in Romain Garbaye &amp; G\u00e9r\u00f4me Guibert (eds.),\u00a0<em>Musical Scenes and Social Class: Debating Punk and Metal<\/em>, Palgrave Macmillan, 2024.<\/p>\n<p>Cl\u00e9ment, Guillaume, \u00ab The evolutions of the British music press and the emergence of social media and streaming platforms as industry kingmakers \u00bb, in Ren\u00e9e Dickason &amp; David Haigron (eds.),\u00a0<em>Issues and Singularity in the British Media: From the Emancipating Age of Newspapers to the Emergence of the Digital Era<\/em>, Palgrave Macmillan, 2024.<\/p>\n<p><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black;\">Cloarec, Nicole,<\/span><span style=\"mso-fareast-font-family: Times; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB; mso-bidi-font-style: italic;\"> Mullen Beth (eds), \u201c<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-themecolor: text1;\">Trouble on Screen,\u201d <\/span><em style=\"mso-bidi-font-style: normal;\"><span style=\"mso-fareast-font-family: Times; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\">Motifs<\/span><\/em><span style=\"mso-fareast-font-family: Times; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB; mso-bidi-font-style: italic;\"> 9 | 2024\u00a0<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-themecolor: text1;\">(<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/motifs.pergola-publications.fr\/index.php?id=1114\">https:\/\/motifs.pergola-publications.fr\/index.php?id=1114<\/a><span style=\"color: black; mso-themecolor: text1;\">)<\/span><\/span><\/p>\n<p><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black;\">Cloarec, Nicole,<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> Lefait <\/span><span style=\"mso-fareast-font-family: Times; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB; mso-bidi-font-style: italic;\">S\u00e9bastien (eds), <\/span><em style=\"mso-bidi-font-style: normal;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Film Journal<\/span><\/em><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> 9: <\/span><em style=\"mso-bidi-font-style: normal;\"><span style=\"mso-fareast-font-family: 'Times New Roman'; mso-fareast-theme-font: minor-fareast; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Screening the Box<\/span><\/em><em style=\"mso-bidi-font-style: normal;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">, <\/span><\/em><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-bidi-font-style: italic;\">2024, <\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/journals.openedition.org\/filmj\/505\"><span style=\"mso-fareast-language: EN-GB;\">https:\/\/journals.openedition.org\/filmj\/505<\/span><\/a><\/span><\/p>\n<p><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black;\">Cloarec, Nicole, <\/span><span style=\"mso-bookmark: _Hlk157430042;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">\u201cFilm Britannia! National Narratives in a Globalised Environment,\u201d<\/span><\/span><span style=\"mso-bookmark: _Hlk157430042;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"> <em>in<\/em> <\/span><\/span><span style=\"mso-bookmark: _Hlk157430042;\"><em><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Issues and Singularity in the British Media Vol. 1:<span style=\"color: black; mso-themecolor: text1;\"> Ink, click and screen: from \u2018imagined communities\u2019 to \u2018soft power\u2019<\/span><\/span><\/em><\/span><span style=\"mso-bookmark: _Hlk157430042;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">, <\/span><\/span><span style=\"mso-bookmark: _Hlk157430042;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\">Ren\u00e9e Dickason &amp; David Haigron (eds), <\/span><\/span><span style=\"mso-bookmark: _Hlk157430042;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Palgrave Macmillan<\/span><\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">, p.157-199.<\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-style: italic;\">Dardenne, \u00c9milie, \u201c\u00c9tudes animales, approche critique, point de vue animal. Gen\u00e8se et cartographie d\u2019un champ\u201d, <em>Revue Semestrielle de Droit Animalier<\/em>, 2024.<\/span><\/p>\n<p>Dardenne, \u00c9milie, \u00ab\u00a0Zooinclusivity: A New Approach to Help the Transition towards a More-Than-Human World (and Law)\u00a0\u00bb, <i>Environmental Rights Review<\/i>, 1 novembre 2024, <a href=\"https:\/\/doi.org\/10.5281\/zenodo.14025850\">https:\/\/doi.org\/10.5281\/zenodo.14025850<\/a><\/p>\n<p>Desblaches, Claudia, traduction de Simone Osthoff. \u201cArt on the Moon, Poetry for Homo Spaciens: an interview with Eduardo Kac about his artwork <em>Adsum<\/em>,\u201d <em>Journal of Posthuman Studies<\/em>, Vol. 6, No. 1, 2022, pp. 19-25. Entretien publi\u00e9 dans: \u201cL\u2019art sur la lune, la po\u00e9sie pour les Homo Spaciens: un entretien avec Eduardo Kac sur son \u0153uvre d\u2019art <em>Adsum<\/em>,\u201d\u00a0<em>Celebrity Caf\u00e9<\/em>, n. 6, Paris, 2024, pp. 244-253.<\/p>\n<p>Dickason, Ren\u00e9e. \u201cA Cartooning Mission: Punch or The London Charivari (1939-1945)\u201d, in St\u00e9phanie A.H. B\u00e9langer, Michel Prum et Ren\u00e9e Dickason (eds.), <em>War Memories, Commemoration, Recollections, and Writings on War<\/em>, Vol. II, Montreal, Canada, McGill-Queen\u2019s University Press, 2024.<\/p>\n<p>Dickason Ren\u00e9e, Haigron David (eds.), <em>Issues and Singularity in the British Media &#8211; vol. 1: Ink, Click and Screen: From \u00ab\u00a0Imagined Communities\u00a0\u00bb to \u00ab\u00a0Soft Power\u00a0\u00bb<\/em>, Basingstoke: Palgrave Macmillan, 2024 : https:\/\/link.springer.com\/book\/10.1007\/978-3-031-60668-7.<\/p>\n<p>Dickason Ren\u00e9e, Haigron David (eds.), <em>Issues and Singularity in the British Media &#8211; vol. 2: Broadcasting: Culture and Identity<\/em>, Basingstoke: Palgrave Macmillan, 2024 : https:\/\/link.springer.com\/book\/10.1007\/978-3-031-60653-3.<\/p>\n<p>Goarzin, Anne, \u201cFriendship and literature\u201d, in Grace Neville, Eugene O&rsquo;Brien, Sarah Nolan (eds.) <em>Getting the Words Right&rsquo;: A Festschrift in Honour of Eamon Maher<\/em>, Volume 131, Reimagining Ireland, ISSN 1662-9094, 2024, pp. 45-55.<\/p>\n<p>Haigron David, \u00ab British TV Party Political Broadcasts: Persuasive, Performative Broadcasting \u00bb, in Ren\u00e9e Dickason, David Haigron (eds.), Issues and Singularity in the British Media &#8211; vol. 2: Broadcasting: Culture and Identity, Basingstoke: Palgrave Macmillan, 2024, pp. 163-209.<\/p>\n<p>Hellier-Loyd, Anne, \u00ab\u00a0Keeping Civil War engagements alive: the Quaker campaign for religious liberty and civil rights between the English \u2018revolutions\u2019\u00a0\u00bbin Clotilde Prunier et Sandrine Parageau (eds.), <em>Revolution(s),<\/em> University of Virginia Press, Collection \u201cThe Revolutionary Age\u201d, 2024 (\u00e0 para\u00eetre).<\/p>\n<p>Jeanniard du <span class=\"familyName\">Dot<\/span>, Ma\u00eblle, \u00ab\u00a0<span dir=\"ltr\">Christine Vandamme and Andr\u00e9 Dodeman, eds. <em>Space, Place and Hybridity in the National Imagination<\/em>.\u00a0\u00bb<\/span>,\u00a0<em>Postcolonial Literatures and Arts<\/em> [En ligne], 1\u00a0|\u00a02024, <span dir=\"ltr\">URL<\/span> : http:\/\/journals.openedition.org\/pla\/1197<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, Rigaud, Antonia et Vent\u00e9joux, Aliette, <em>\u00ab\u00a0Voix, Son(s), Bruit(s), Silence(s): \u00c9couter les Etats-Unis, Revue Fran\u00e7aise d&rsquo;Etudes Am\u00e9ricaines<\/em>, n\u00b0180, 2024(3).<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, \u00ab\u00a0Working Girls, From Ally McBeal to Rebecca Bunch: the Evolution of the \u201cCrazy Ex-Girlfriend\u201d on Screen\u00a0\u00bb, <em>Motifs<\/em> [En ligne], 9\u00a0|\u00a02024 DOI\u00a0: <a href=\"https:\/\/dx.doi.org\/10.56078\/motifs.1186\">https:\/\/dx.doi.org\/10.56078\/motifs.1186<\/a><\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, \u00ab Echoes of Womanhood: Listening to Women\u2019s Voices on the Radio, \u00bb dans Christen Bryson, Anne L\u00e9gier, et Am\u00e9lie Ribieras (dir.), <em>Womanhoods and Equality in the United States: 20th\u201321st Century Perspectives<\/em>, Taylor &amp; Francis, 2024.<\/p>\n<p>Le Fustec, Claude, \u00ab\u00a0De Derrida \u00e0 De Chardin\u00a0: pour une arch\u00e9ologie du processus cr\u00e9ateur dans <em>Point Omega<\/em> (DeLillo)\u00a0\u00bb, in Lydie Parisse et Tomasz Swoboda (eds), <em>Processus cr\u00e9ateur et voies n\u00e9gatives<\/em>, Paris, Lettres Modernes Minard, \u00ab\u00a0La Revue des Lettres Modernes\u00a0\u00bb, S\u00e9rie\u00a0<em>Processus cr\u00e9ateurs<\/em>, 1, 2024,137-148.<\/p>\n<p>Le Voguer Gildas, Recension de l\u2019ouvrage de Joel Richard Paul, <em>Espions en r\u00e9volution : Beaumarchais, le chevalier d\u2019\u00c9on, Silas Deane et les secrets de l\u2019ind\u00e9pendance am\u00e9ricaine<\/em>, \u00c9tudes fran\u00e7aises de Renseignement et de Cyber, N\u00b02, printemps 2024, PUF, p. 294-298.<\/p>\n<p>Le Voguer Gildas, Recension de l\u2019ouvrage d\u2019H\u00e9l\u00e8ne Harter, <em>Eisenhower \u2013 Le chef de guerre devenu pr\u00e9sident, revue en ligne IdeAs \u2013 Id\u00e9es d\u2019Am\u00e9rique<\/em>, N\u00b024, 2024.<\/p>\n<p>Lechevalier-Bekadar, Nawelle, <em>Brian Evenson : Une esth\u00e9tique du malaise<\/em>, Paris : SUP, 2024, 406p.<\/p>\n<p>Machinal, H\u00e9l\u00e8ne, \u00ab Dirk Gently\u2019s Holistic Detective Agency : la valse des genres litt\u00e9raires \u00bb, in Anne Besson (ed.), <em>L\u2019imaginaire en s\u00e9rie II<\/em>, <em>Otrante<\/em> n\u00b0 53, Rennes, PU de Rennes et en ligne <a href=\"https:\/\/shs.cairn.info\/revue-otrante-2024-1?lang=fr\">https:\/\/shs.cairn.info\/revue-otrante-2024-1?lang=fr<\/a><\/p>\n<p>Oriez, Sandrine,<em> Syntaxe de la phrase anglaise<\/em>,<em> Licence, Master, Concours<\/em>, 2nde \u00e9dition revue et augment\u00e9e, Rennes, Presses Universitaires de Rennes, 434 pages, 2024.<\/p>\n<p>Oriez, Sandrine, R\u00e9daction de la m\u00e9thodologie de la partie linguistique et de corrig\u00e9s de segments soulign\u00e9s dans l\u2019ouvrage collectif Coquilhat, Jean-Christophe, Capes anglais, <em>Epreuve \u00e9crite disciplinaire appliqu\u00e9e<\/em>, Paris, Ellipses, \u00e9ditions 2021, 2022, 2023 et 2024.<\/p>\n<p>Perrot, C\u00e9cile, \u00ab We were sold dreams in 1994, we want the refund \u00bb, les mouvements \u00e9tudiants sud-africains entre h\u00e9ritage et rupture, <em>in<\/em> Michel Prum et Florence Binard (eds), <em>Regards minoritaires (aire anglophone),<\/em> Paris: L\u2019Harmattan, 2024.<\/p>\n<p>Perrot, C\u00e9cile. \u00ab\u00a0\u00a0\u00bbWe cannot afford to be intellectual outsiders in our own land\u00a0\u00bb : enjeux politiques et soci\u00e9taux de la promotion des langues africaines en Afrique du Sud \u00bb, PUR, \u00e0 para\u00eetre.<\/p>\n<p>Philippe Manon, \u00ab <em>Euro 2016<\/em>, <em>Paris 2024 <\/em>: comment les noms propres refl\u00e8tent la temporalit\u00e9 des \u00e9v\u00e9nements sportifs cycliques\u00a0\u00bb, <em>Palimpseste <\/em>11, 2024, 9-11.<\/p>\n<p>Philippe Manon, \u201cProper Names and the \u2018Noun\u2019 \/ \u2018Name\u2019 Categories: Pseudo-Nouns, Real Names\u201d, in Laure Gardelle, \u00c9lise Mignot et Julie Neveu (eds), <em>Nouns and the Morphosyntax \/ Semantics Interface<\/em>, Cham : Palgrave\/Macmillan, 2024, 65-87.<\/p>\n<p>Still, Taylor. \u00ab\u00a0Texts, Affects and Teenagers: (im)Material Transmissions Across France and Ireland\u00a0\u00bb, <em>Journal of Franco-Irish Studies, <\/em>Vol. 8 (1) &#8211; Text, Performance &amp; Community, 2024. URL : <a href=\"https:\/\/arrow.tudublin.ie\/jofis\/vol8\/iss1\/6\/\">https:\/\/arrow.tudublin.ie\/jofis\/vol8\/iss1\/6\/<\/a><\/p>\n<p>Still, Taylor. \u00ab\u00a0\u2018Textured Realities\u2019 and Mixed Methodologies in Practice-Led Research: Lessons Learned from Critical Youth Studies\u00a0\u00bb, <em>Studios de Recherche CAPS, <\/em>Hypoth\u00e8ses, 2024. URL : <a href=\"https:\/\/caps.hypotheses.org\/306\">https:\/\/caps.hypotheses.org\/306<\/a><\/p>\n<p>Urban Devereux, Eva, \u00ab\u00a0In Justice: Performing Activism against Racism online in Northern Ireland\u00a0\u00bb, in Maha Alatawi and Eamonn Jordan (eds), <em>Expressions of Intersectional Justice in Modern and Contemporary Literature, Film and Theatre, <\/em>Oxford: Peter Lang, 2023. \u00e0 paraitre.<\/p>\n<p>&nbsp;<\/p>\n<h2>2023<\/h2>\n<p><span class=\"familyName\">Bauer, Sylvie, avec S\u00e9bastien Mort et Elizabeth Mullen, Coordination d\u2019un num\u00e9ro de la <em>RFEA<\/em> sur \u00ab L\u00e9gitimit\u00e9, autorit\u00e9, canon \u00bb, 2023\/3, No 176, Paris : Editions Belin, 2023.<\/span><\/p>\n<p><span class=\"familyName\">Bauer, Sylvie, avec Juliana Lopoukhine, Coordination d\u2019un num\u00e9ro de la revue l\u2019<em>Atelier<\/em>, Vol. 14, No 2 (2023) : \u00ab L\u2019Incongru \u00bb, revue en ligne<\/span><\/p>\n<p><span class=\"familyName\">Bauer, Sylvie, \u00ab De quoi Frankenstein est-il le nom dans <i>American Desert<\/i>, de Percival Everett ? in <i>Frankenstein et sa culture, d\u2019hier \u00e0 aujourd\u2019hui<\/i>, Jean-Fran\u00e7ois Chassay et Elaine Despr\u00e9s eds, Montr\u00e9al : Les Presses de l\u2019Universit\u00e9 de Montr\u00e9al, collection Cavales, D\u00e9cembre 2023, pp.115-127<\/span><\/p>\n<p><span class=\"familyName\">Bauer, Sylvie, \u00ab \u201cPerhaps one of them is the real me and I am the interloper\u201d : l\u2019humain en d\u00e9route dans <i>The Warren<\/i>, de Brian Evenson \u00bb in <i>Revue des Sciences Humaines ,<\/i>\u201cIdentit\u00e9s num\u00e9riques et litt\u00e9rature\u201d, Jean-Fran\u00e7ois Chassay et Mara Madgda Maftei, eds. Lille : Presses Universitaires du Septentrion, n352, Octobre-d\u00e9cembre 2023, pp. 201-215<\/span><\/p>\n<p><span class=\"familyName\">Fischer, Karin, <strong>B\u00e9reau<\/strong>, Laurie, Martinez, Fran\u00e7oise, Soubeyroux, Marie-H\u00e9l\u00e8ne et Susan Finding (eds), Politiques \u00e9ducatives et projets de soci\u00e9t\u00e9 : mots d&rsquo;ordre officiels et exp\u00e9riences alternatives (Europe, Am\u00e9riques, Afrique et Asie \u2500 XXe-XXIe si\u00e8cles), <em>M\u00e9moire(s), identit\u00e9(s), marginalit\u00e9(s) dans le monde occidental contemporain<\/em>, 29, 2023.<br \/>\n<\/span><\/p>\n<p><span class=\"familyName\">Fischer<\/span>, Karin, <strong><span class=\"familyName\">B\u00e9reau<\/span><\/strong>, Laurie, <span class=\"familyName\">Martinez<\/span>, Fran\u00e7oise, <span class=\"familyName\">Soubeyroux,<\/span> Marie-H\u00e9l\u00e8ne et Susan <span class=\"familyName\">Finding<\/span>, <span dir=\"ltr\">\u00ab\u00a0Introduction. Politiques \u00e9ducatives et projets de soci\u00e9t\u00e9\u00a0: mots d&rsquo;ordre officiels et exp\u00e9riences alternatives\u00a0\u00bb<\/span>,\u00a0<em>M\u00e9moire(s), identit\u00e9(s), marginalit\u00e9(s) dans le monde occidental contemporain<\/em>, 29, 2023.<\/p>\n<p>Besnard, Anne-Laure. 2023. \u00ab Counterfactuality as Negative Meaning: A Case Study of\u00a0<i>BE Supposed To\u00a0<\/i>\u00bb. In Roitman, Malin, ed.\u00a0<i>Negatives and Meaning: Social Setting and Pragmatic Effects<\/i>. Stockholm University Press. pp. 179-201. https:\/\/doi.org\/10.16993\/bcd.g<\/p>\n<p>Boisgerault, Pauline,<span dir=\"ltr\">\u201c\u201cThe gaping cut in the wire\u201d: Transvaluing and Transgressing the Territory in Leslie Marmon Silko\u2019s <em>Ceremony<\/em>\u201d<\/span>,\u00a0<em>Recherches anglaises et nord-am\u00e9ricaines<\/em> [<em>Ranam<\/em> Online], 57, 2023.<\/p>\n<p>Caignet, Aurore, <span dir=\"ltr\">\u00ab\u00a0<a href=\"https:\/\/journals.openedition.org\/miranda\/57293\">Chris Killip, Retrospective<\/a>\u00ab\u00a0<\/span>,\u00a0<em>Miranda<\/em> [En ligne], 28\u00a0|\u00a02023. <span dir=\"ltr\">URL<\/span>\u00a0: <a href=\"http:\/\/journals.openedition.org\/miranda\/57293\">http:\/\/journals.openedition.org\/miranda\/57293.<\/a><\/p>\n<p>Caignet, Aurore, \u00ab\u00a0<a href=\"https:\/\/www.cairn.info\/revue-etudes-anglaises.htm\">Life: An Interview with Ian Beesley<\/a>\u00ab\u00a0, <em>in<\/em> Isabelle Gadoin (ed), \u201cThe Right to Look Back\u201d : l\u2019archive photographique et la construction de l\u2019image de l\u2019Autre, <em>Etudes Anglaises<\/em>, 76 (2), 2023.<\/p>\n<p>Capdeville, Val\u00e9rie &amp; Kimberley Page-Jones (dir.), <a href=\"https:\/\/www.pum.umontreal.ca\/catalogue\/la_fabrique_des_sociabilites_en_europe_et_dans_les_colonies\"><em>La fabrique des sociabilit\u00e9s en Europe et dans les colonies. Espaces et identit\u00e9s (XVIII<sup>e<\/sup>-XIX<sup>e<\/sup> si\u00e8cles)<\/em><\/a><em>. <\/em>Montr\u00e9al : Presses de l\u2019Universit\u00e9 de Montr\u00e9al, 2023. 328p. [En libre-acc\u00e8s]<\/p>\n<p>Capdeville, Val\u00e9rie &amp; Kimberley Page-Jones, \u00ab\u00a0Introduction\u00a0\u00bb et \u00ab\u00a0conclusion\u00a0\u00bb, in Val\u00e9rie Capdeville &amp; Kimberley Page-Jones (eds.), <em>La fabrique des sociabilit\u00e9s en Europe et dans les colonies. Espaces et identit\u00e9s (XVIII<sup>e<\/sup>-XIX<sup>e<\/sup> si\u00e8cles)<\/em>. Montr\u00e9al : Presses de l\u2019Universit\u00e9 de Montr\u00e9al, 2023<em>.<\/em><\/p>\n<p>Capdeville, Val\u00e9rie &amp; Alexis Tadi\u00e9, \u00ab\u00a0<a href=\"https:\/\/www.digitens.org\/en\/notices\/david-hume.html\">David Hume<\/a> \u00bb, in <em>DIGIT.EN.S, The Digital Encyclopedia of British Sociability in the Long Eighteenth Century<\/em>, 2023.<\/p>\n<p><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black;\">Cloarec, Nicole,<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> \u201c<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN;\">\u2019Soldiers in petticoats\u2019 on the British screen: a mirror to historiography,<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">\u201d <em><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">Miranda<\/span><\/em> 27\u00a0|\u00a02023, URL: http:\/\/journals.openedition.org\/miranda\/53449; DOI: <a href=\"https:\/\/doi.org\/10.4000\/miranda.53449\">https:\/\/doi.org\/10.4000\/miranda.53449<\/a><\/span><\/p>\n<p><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black;\">Cloarec, Nicole,<\/span> <strong><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">\u201c<\/span><\/strong><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">\u2019The man who wasn\u2019t there\u2019\u2014and was \u2018out there\u2019: Chigurh as cinematic figure\u201d,\u00a0<em><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">Revue LISA\/LISA e-journal<\/span><\/em> vol. 21-n\u00b055\u00a0|\u00a02023, URL\u00a0: http:\/\/journals.openedition.org\/lisa\/14988\u00a0; DOI\u00a0: <a href=\"https:\/\/doi.org\/10.4000\/lisa.14988\">https:\/\/doi.org\/10.4000\/lisa.14988<\/a><\/span><\/p>\n<p>Burgat, Fran\u00e7oise &amp; Dardenne, \u00c9milie, <em>La souffrance animale. \u00c9thique et politique de la condition animale,<\/em> Londres : Iste, 2023 (en fran\u00e7ais), <em>Animal Suffering. The Ethics and Politics of Animal Lives<\/em>, Londres\u00a0: Wiley, 2023 (en anglais). Volume command\u00e9 par la Commission Europ\u00e9enne.<\/p>\n<p>Dardenne, \u00c9milie, \u201cSouffrances animales, des paradigmes multiples r\u00e9v\u00e9l\u00e9s\u201d, dans Florence Burgat et \u00c9milie Dardenne (dir.), <em>La souffrance animale. \u00c9thique et politiques de la condition animale<\/em>, Londres\u00a0: Iste, 2023, 253-260\u00a0; trad. <span lang=\"EN-US\">\u201cAnimal Suffering. <\/span>Multiple Paradigms Revealed\u201d, dans Florence Burgat et \u00c9milie Dardenne (dir.), <em>Animal Suffering. <\/em><em><span lang=\"EN-US\">The Ethics and Politics of Animal Lives, <\/span><\/em><span lang=\"EN-US\">Londres : Wiley, 2023, 227-234.<\/span><\/p>\n<p>Dardenne, \u00c9milie, <em>Consid\u00e9rer les animaux. Une approche zooinclusive<\/em>, Paris\u00a0: Puf, 2023<em>.<\/em><\/p>\n<p>Goarzin, Anne, <span lang=\"EN-US\">\u201cFrom <em>Gulliver\u2019s Travels<\/em> to <em>The Quick<\/em> : Trans-Temporal Literature as Life Form in a Pandemic\u201d, in M\u00e1irtin Mac Con Iomaire et Eamon Maher &lsquo;eds), <em>New Beginnings : Perspectives from France and Ireland<\/em>, Peter Lang, 2023, 15-38. <\/span><\/p>\n<p><span dir=\"ltr\">Mianowski, <\/span><span dir=\"ltr\">Marie <\/span><span dir=\"ltr\">&amp; <strong>Jeanniard<\/strong> du Dot, <\/span><span dir=\"ltr\">Ma\u00eblle <\/span><span dir=\"ltr\">(eds),<\/span> <span dir=\"ltr\"><em>Du seuil au refuge, le d\u00e9fi de l\u2019hospitalit\u00e9<\/em> \/ <\/span><em>Thresholds and Refuges: Hospitality as a Challenge, <span dir=\"ltr\">ILCEA<\/span><\/em><span dir=\"ltr\">, 50, 2023 (online), 2024 (print).<\/span><\/p>\n<p>Jeanniard du Dot, Ma\u00eblle, \u00ab <span lang=\"EN-US\">Turning the Tide, or Turning Around<\/span> in <em><span lang=\"EN-US\">My Revolutions<\/span><\/em> \u00bb, <em>in\u00a0<\/em>Sara Upstone et Kristian Shaw (eds.), <em>Hari Kunzru: Twenty-First Century Perspectives<\/em>, Manchester University Press, 2023, 62-80.<\/p>\n<p>Le Fustec, Claude, \u00ab\u00a0African American Women\u2019s Literary Renaissance: A Template for Spiritual Fiction in the Twenty-First Century?\u00a0\u00bb, in Delphine Louis-Dimitrov. &amp; Estelle Murail (eds), <em>The Persistence of the Soul in Literature, Art and Politics, <\/em>Palgrave Macmillan, Cham, 2023.<\/p>\n<p>Le Voguer Gildas, \u00ab Le Russiagate : les enjeux du renseignement et la relation am\u00e9ricano-russe, \u00bb in David Diallo, \u00c9ric Rouby et Adrien Schu, <em>Trump ou l\u2019\u00e9rosion de la d\u00e9mocratie am\u00e9ricaine<\/em>, Bordeaux, Presses Universitaires de Bordeaux, 2023, p. 231-262.<\/p>\n<p>Machinal, H\u00e9l\u00e8ne, <em>Le posthumain<\/em>, Clermont, Presses universitaires Blaise Pascal, 2023, 63p.<\/p>\n<p>Machinal, H\u00e9l\u00e8ne, \u00ab The guy with the bolt through his neck \u00bb : parallaxe et m\u00e9talepse ou l\u2019art du franchissement r\u00e9solument trans dans Frankissstein \u00bb, in J-F Chassay &amp; E. Despr\u00e9s (eds.), <em>Frankenstein et sa cr\u00e9ature, d&rsquo;hier \u00e0 aujourd&rsquo;hui, la puissance d\u2019une double figure<\/em>, Montr\u00e9al, PU de Montr\u00e9al, 2023.<\/p>\n<p align=\"justify\">Machinal, H\u00e9l\u00e8ne, \u00ab Orphan Black : \u201cA Case of Identity\u201d, figures du posthumain et identit\u00e9s plurielles \u00bb, Mara Magda Maftei et als, <i>Les r\u00e9cits du posthumain<\/i>, Villeneuve d\u2019Ascq, PU du Septentrion, 2023.<\/p>\n<p align=\"justify\">Machinal, H\u00e9l\u00e8ne\u00a0\u00a0et Elaine Despr\u00e9s, \u00ab La science-fiction a-t-elle horreur du vide ? Le cas des s\u00e9ries t\u00e9l\u00e9vis\u00e9es \u00bb, <em>Res Futurae<\/em>, \u00ab Suites et variations critiques \u00bb, n\u00b0 22, 2023, <a href=\"https:\/\/journals.openedition.org\/resf\/12659\">https:\/\/journals.openedition.org\/resf\/12659<\/a><\/p>\n<p align=\"justify\">Machinal, H\u00e9l\u00e8ne, \u00ab Penser le posthumain avec les s\u00e9ries de SF ? \u00bb, <em>TVSeries<\/em> 22, \u00ab Repenser les disciplines universitaires \u00e0 travers les s\u00e9ries t\u00e9l\u00e9vis\u00e9es : perspectives \u00e9pist\u00e9mologiques \u00bb, eds C. Cornillon, M. Michlin &amp; S. Sorlin, https:\/\/doi.org\/10.4000\/tvseries.7271<\/p>\n<p>Boug\u00e9-Grandon, Dominique &amp; Mespl\u00e8de, Sophie, \u00ab\u00a0<em>Oroonoko, or the Royal Slave. A True History<\/em> d&rsquo;Aphra Behn\u00a0\u00bb, in Christine Rivalan Gu\u00e9go &amp; Marc Berg\u00e8re (eds), <em>L&rsquo;Universit\u00e9 Rennes 2 au miroir de ses collections<\/em>, Rennes : PUR, 2023, 42-47.<\/p>\n<p>Gould, Charlotte &amp; Mespl\u00e8de, Sophie, \u00ab\u00a0<a href=\"https:\/\/epistemocritique.org\/7-du-storm-cloud-a-vertigo-sea-lart-britannique-au-prisme-de-langloseen\/\">Du &lsquo;Storm Cloud\u00a0\u00bb \u00e0 Vertigo Sea. L&rsquo;art britannique au prisme de l\u00a0\u00bbAngloseen&rsquo;<\/a>.\u00a0\u00bbin \u00ab\u00a0Crise: Climat et Critique\u00a0\u00bb, <em>Epist\u00e9mocritique<\/em>, 21, 2023.<\/p>\n<p><span class=\"familyName\">Perrot<\/span>, C\u00e9cile, <span dir=\"ltr\">\u00ab\u00a0Enseignement sup\u00e9rieur sud-africain\u00a0: le revirement politique des ann\u00e9es 2000\u00a0\u00bb<\/span>,\u00a0<em>M\u00e9moire(s), identit\u00e9(s), marginalit\u00e9(s) dans le monde occidental contemporain<\/em>, 29, 2023.<\/p>\n<p>Philippe, Manon, \u00ab Morpho-syntaxe s\u00e9mantique des nominaux propres \u00bb, <em>CORELA &#8211; COgnition, REpr\u00e9sentation, LAngage<\/em>, HS-40, 2023.<\/p>\n<p>Roulland, Daniel, \u00ab\u00a0<span dir=\"ltr\">Pour une pragmatique de 2<sup>nd<\/sup> degr\u00e9 : le syst\u00e8me des auxiliaires modaux en anglais\u00a0\u00bb<\/span>,\u00a0<em>CoReLa<\/em> [En ligne], 21-1, 2023 (<a href=\"http:\/\/journals.openedition.org\/corela\/16159\">http:\/\/journals.openedition.org\/corela\/16159).<\/a><\/p>\n<p><span class=\"familyName\">Tang, Maria. George Eliot, cartographe des vies ordinaires, <em>Sciences Humaines &#8211; Les Grands Dossiers<\/em>, juin-juillet-ao\u00fbt 2023. <a class=\"moz-txt-link-freetext\" href=\"https:\/\/boutique.scienceshumaines.com\/grands-dossiers\/71\">https:\/\/boutique.scienceshumaines.com\/grands-dossiers\/71<\/a><\/span><\/p>\n<p><span class=\"familyName\">Touihri-Mebarek<\/span>, Donia, \u00ab\u00a0<span dir=\"ltr\"><span lang=\"en\" xml:lang=\"en\">Economic Disparities in Great Britain during the Covid-19 Pandemic: The Sewell Report and the Myth of a Post-Racial Society<\/span>\u00ab\u00a0<\/span>,\u00a0<em>Revue Fran\u00e7aise de Civilisation Britannique<\/em> [En ligne], XXVIII-2, 2023.<\/p>\n<p>Tr\u00e9guer, Florian, <em>Gus Van Sant. Cin\u00e9aste de l&rsquo;infinitif<\/em>. Caen, \u00c9ditions du Passage, collection \u00ab\u00a0Focales\u00a0\u00bb, juin 2023, 238 p.<\/p>\n<p>&nbsp;<\/p>\n<h2>2022<\/h2>\n<p>Bauer, Sylvie, Bernard, Lucie et Machinal, H\u00e9l\u00e8ne (eds), <em>Mutation 3 &#8211; Posthumain et \u00e9cran<\/em>s, <em>Otrante<\/em>, 51, 2022.<\/p>\n<p>Boisgerault, Pauline, <a href=\"https:\/\/climas.u-bordeaux-montaigne.fr\/numeros-parus\/72-leaves-n-13-textes\/528-the-corrupt-re-generation-of-the-californian-desert-in-the-octopus-by-frank-norris-pauline-boisgerault\">\u00ab\u00a0The Corrupt (Re)generation of the Californian Desert in The Octopus by Frank Norris\u00a0\u00bb<\/a>, <em>Leaves<\/em>, Revue du CLIMAS, Universit\u00e9 de Bordeaux-Montaigne, 2022.<\/p>\n<p>Caignet, Aurore, \u201c<a href=\"http:\/\/journals.openedition.org\/angles\/5859\">Urban Development and Regeneration in Ancoats, Manchester: From Industrial Suburb to Urban Village<\/a>\u201d, <em>in<\/em> Charlotte Gould et David F\u00e9e (eds), \u00ab\u00a0Cities in the British Isles in the 19th-21st centuries\u00a0\u00bb, <em>Angles<\/em>, 15, 2022.<\/p>\n<p>Cloarec, Nicole, \u201cMetaleptic Vertigo: Temporal and Generic Crossovers in <em>The Singing Detective,\u201d <\/em>in <em>Film Journal<\/em> 8, 2022, 39-44.<\/p>\n<p>Cloarec, Nicole, \u00ab\u00a0Daughters behind the camera,\u201d, <em>in<\/em> <em>Moving to the Mainstream: Women On and Off Screen in Television and Film,<\/em> Marianne Kac-Vergne (ed.), London: Bloomsbury, 2022.<\/p>\n<p>Cloarec, Nicole, \u201cRequiem for a Tommy: impersonality and subjectivity in Stuart Cooper\u2019s <em>Overlord<\/em> (1975),\u201d <em>in<\/em> <em>War and Remembrance: Recollecting and Representing War<\/em>, St\u00e9phanie A.H. B\u00e9langer &amp; Ren\u00e9e Dickason (eds), Montreal &amp; Kingston. London. Chicago: McGill-Queen\u2019s University Press, 2022, 415-431.<\/p>\n<p style=\"margin: 0px;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black;\">Cloarec, Nicole,<\/span><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"> \u201c<em><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">Tell Me Lies<\/span><\/em> (Peter Brook, 1968) or How I Learned to Start Worrying about Vietnam,\u201d\u00a0<em>in<\/em> \u201cMediating the Unsaid of War<em><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">\u201d <\/span><\/em>Sous la direction de <span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">Delphine <\/span>Letort<strong><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">,<\/span><\/strong><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\"> Ren\u00e9e <\/span>Dickason<strong><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">,<\/span><\/strong><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\"> St\u00e9phanie <\/span>Belanger<span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\"> et Michel <\/span>Prum, <em><span style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin;\">Revue LISA\/LISA e-journal<\/span><\/em> vol. 20-n\u00b053\u00a0|\u00a02022, DOI\u00a0: <a href=\"https:\/\/doi.org\/10.4000\/lisa.13894\">https:\/\/doi.org\/10.4000\/lisa.13894<\/a><\/span><\/p>\n<p>Dardenne, \u00c9milie, <em>Introduction aux \u00e9tudes animales<\/em>, Paris : Puf, 2022 (2\u00e8me \u00e9dition).<\/p>\n<p>Dardenne, \u00c9milie, \u00ab Le monde acad\u00e9mique d\u2019apr\u00e8s ? \u00c9tudes animales, discours et politiques scientifiques au temps de la Covid-19 \u00bb, revue <em>\u00c9clats<\/em>, vol. 2, 2022, en ligne\u00a0: <a href=\"http:\/\/preo.u-bourgogne.fr\/eclats\/index.php?id=281\">http:\/\/preo.u-bourgogne.fr\/eclats\/index.php?id=281<\/a><\/p>\n<p>Letort, Delphine, Dickason, Ren\u00e9e,\u00a0 B\u00e9langer, St\u00e9phanie AH, et Prum, Michel (eds.), <em>Mediating the Unsaid of War<\/em>, 20 (53), 2022, <em>LISA E-journal<\/em> (https:\/\/journals.openedition.org\/lisa\/13853).<\/p>\n<p>Dickason, Ren\u00e9e, Delphine Letort, Michel Prum, and St\u00e9phanie A.H. B\u00e9langer (eds). <i>War and Remembrance: Recollecting and Representing War<\/i>. Vol. 18. McGill-Queen\u2019s University Press, 2022.<\/p>\n<p>Dickason, Ren\u00e9e, \u00ab\u00a0Light and Not-So-Light Reflections in the Wipers Times\u2019 Trench Journal and in the Satirical Magazine Punch or The London Charivari (1939\u201345): What Narratives, What Recollections?\u00a0\u00bb, <em>in <\/em>St\u00e9phanie A.H. B\u00e9langer &amp; Ren\u00e9e Dickason (eds),<em>War and Remembrance: Recollecting and Representing War<\/em>, Montreal &amp; Kingston, London, Chicago: McGill-Queen\u2019s University Press, 2022, 219-259.<\/p>\n<p>Dickason, Ren\u00e9e, Delphine Letort, Michel Prum, and St\u00e9phanie B\u00e9langer. \u201cIntroduction.\u201d In <i>War and Remembrance: Recollecting and Representing War<\/i>, <em>in <\/em>St\u00e9phanie A.H. B\u00e9langer &amp; Ren\u00e9e Dickason (eds),<em>War and Remembrance: Recollecting and Representing War<\/em>, Montreal &amp; Kingston, London, Chicago: McGill-Queen\u2019s University Press, 2022, 3-22.<\/p>\n<p>Hellier-Lloyd, Anne, \u00ab\u00a0William Penn and the development of a discourse of Civil Rights\u2019\u00a0\u00bb, Quaker Studies, 27 (1), 2022.<\/p>\n<p><span class=\"familyName\">Jeanniard du Dot<\/span>, Ma\u00eblle, <span dir=\"ltr\">\u00ab\u00a0<span lang=\"en\" xml:lang=\"en\">\u201cA hazy world seen through smoke\u201d: Threshold Effects in Mohsin Hamid\u2019s <\/span><em><span lang=\"en\" xml:lang=\"en\">Moth Smoke<\/span><\/em>\u00a0\u00bb<\/span>,\u00a0<em>Angles<\/em> [En ligne], 14, 2022.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, \u00ab \u201cUne voix de femme, lorsque celle-ci est invisible, est tout \u00e0 fait ind\u00e9sirable\u201d : Voix f\u00e9minines \u00e0 la radio aux \u00c9tats-Unis au XXe si\u00e8cle, \u00bb <em><a href=\"https:\/\/journals.openedition.org\/semen\/16315\">Semen<\/a><\/em>, n\u00b051 Mat\u00e9rialit\u00e9s Vocales : Voix, Genre et M\u00e9dias, juin 2022.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, \u00ab\u00a0Voice-overs: Renewing Gender Representations in American TV Series\u00a0\u00bb in Marianne Kac-Vergne and Julie Assouly (eds), <em>From the Margins to the Mainstream: Women in Film and Television<\/em>, Bloomsbury, 2022, pp. 199-216<\/p>\n<p>Le Fustec, Claude, Xavier Gravend-Tirole, Eric Vinson, Myriam Watthee-Delmotte (eds), <em>Le spirituel: concept op\u00e9ratoire en sciences humaines et sociales<\/em>, Presses Universitaires de Louvain, 2022.<\/p>\n<p>Le Voguer Gildas, \u00ab La communaut\u00e9 du renseignement depuis le 11-septembre : les limites d\u2019une renaissance, \u00bb <em>Repr\u00e9sentations dans le Monde Anglophone (RMA)<\/em>, Revue en ligne de l\u2019Universit\u00e9 Grenoble Alpes, N\u00b024, 2022.<\/p>\n<p>Lechevalier-Bekadar, Nawelle, \u00ab\u00a0\u00a0\u00bbPrairie\u00a0\u00bb de Brian Evenson\u00a0: un espace du <em>desertum<\/em>\u00ab\u00a0, <em>Leaves<\/em>, 13 (1), \u00ab\u00a0The Desert and the USA\u00a0\u00bb, 2022, 53-62.<\/p>\n<p>Machinal, H\u00e9l\u00e8ne, \u00ab L\u2019humanit\u00e9 de l\u2019I.A : le cas d\u2019Eddy dans Altered Carbon \u00bb, D. Roche et V. Souladi\u00e9 (eds.), <em>Motifs poesques<\/em>, Presses universitaires de Rennes, 2022.<\/p>\n<p>Machinal, H\u00e9l\u00e8ne &amp; Elaine Despr\u00e9s, \u00ab Le temps des posthumains \u00bb, <em>Revue 24images<\/em>, \u00ab Penser l\u2019avenir \u00bb, n\u00b0 202, mars 2022, <a href=\"https:\/\/id.erudit.org\/iderudit\/99241ac\">https:\/\/id.erudit.org\/iderudit\/99241ac <\/a><\/p>\n<p>Alayrac-Fielding, Vanessa\u00a0 &amp; Sophie <strong>Mespl\u00e8de<\/strong>. <em>Les r\u00e9seaux de sociabilit\u00e9 dans la culture des Lumi\u00e8res<\/em>. Circulations, \u00e9changes et transferts. Paris: \u00c9ditions Le Manuscrit, 2022. Collection \u00ab\u00a0Transversales\u00a0\u00bb, Tome VIII.<\/p>\n<p>Mespl\u00e8de, Sophie, \u00ab\u00a0Portraitists&rsquo; Studios\u00a0\u00bb, <em>The Digital Encyclopedia of British Sociability in the Long Eighteenth Century<\/em> [online], ISSN 2803-2845, URL: <a class=\"moz-txt-link-freetext\" href=\"https:\/\/www.digitens.org\/en\/notices\/portraitists-studio.html\">https:\/\/www.digitens.org\/en\/notices\/portraitists-studio.html<\/a><\/p>\n<p><span dir=\"ltr\">Mespl\u00e8de, Sophie, <\/span><span dir=\"ltr\"><a href=\"https:\/\/journals.openedition.org\/lisa\/14630\">Recension de l&rsquo;ouvrage de Fran\u00e7oise Baillet, <em>Visions et divisions. Discours culturels de <\/em>Punch<em> et ordre social victorien (1850-1880)<\/em><\/a><\/span>, <em>LISA e-journal<\/em> [En ligne], 20, 54, 2022.<\/p>\n<p>L\u00e9onard-Roques, V\u00e9ronique &amp; Sophie Mespl\u00e8de, \u00ab\u00a0Elisabeth Vig\u00e9e Le Brun\u00a0\u00bb, <em>The Digital Encyclopedia of British Sociability in the Long Eighteenth Century<\/em> [online], ISSN 2803-2845, URL: <a class=\"moz-txt-link-freetext\" href=\"https:\/\/www.digitens.org\/en\/notices\/elisabeth-vigee-le-brun.html\">https:\/\/www.digitens.org\/en\/notices\/elisabeth-vigee-le-brun.html<\/a><\/p>\n<p>O&rsquo;Keeffe-Vigneron, Grainne, \u00ab\u00a0Leaving Ireland is easy. It&rsquo;s going home that is hard\u00a0\u00bb, The Barriers to Return for Irish Emigrants, <em>Etudes Irlandaises<\/em>, 47, 2, 2022, 89-105, (<a href=\"https:\/\/journals.openedition.org\/etudesirlandaises\/13423\">https:\/\/journals.openedition.org\/etudesirlandaises\/13423<\/a>).<\/p>\n<p>Perrot, C\u00e9cile. \u00ab Youth, memory and politics in post-apartheid South Africa \u00bb, in Bernard Cros, Mathilde Rogez et Gilles Teuli\u00e9 (eds), <em>The Legacy of a troubled past\u00a0: commemorative politics in South Africa in the 21rst Century,<\/em> University of Liverpool Press, 2022.<\/p>\n<p><span lang=\"EN-GB\">Philippe, Manon &amp; Mignot, \u00c9lise (\u00e9ds.), Proper Names and the Lexicon, <em>Lexis<\/em> 20, 2022.<br \/>\n<\/span><\/p>\n<p><span lang=\"EN-GB\">Philippe, Manon &amp; Mignot, \u00c9lise, \u201cHow proper names enter the lexicon \u2013 From <em>the Central Intelligence Agency<\/em> to <em>CIA<\/em>: the reduction of full denominative expressions interpreted as a means to achieve (greater) lexicalization\u201d, in Manon Philippe &amp; Elise Mignot (eds), Proper Names and the Lexicon, <em>Lexis<\/em> 20, 2022.<br \/>\n<\/span><\/p>\n<p><span lang=\"EN-GB\">Mignot \u00c9lise &amp; Philippe Manon, 2022, \u201cIntroduction: Proper names and the lexicon\u00a0\u2013\u00a0an exposition\u201d,\u00a0 in Manon Philippe &amp; Elise Mignot (eds), Proper Names and the Lexicon, <em>Lexis<\/em> 20, 2022.<\/span><\/p>\n<p><span lang=\"EN-GB\"><span class=\"familyName\">Pinettes<\/span>, <\/span><span lang=\"EN-GB\">Camille, \u00ab\u00a0<\/span><span lang=\"EN-GB\"><span dir=\"ltr\">Inextricably Entangled: The Porosity of Human and Non-Human Bodies in Sara Baume\u2019s <em>A Line Made by Walking<\/em>\u00ab\u00a0<\/span>,\u00a0<em>\u00c9tudes irlandaises<\/em>, 47-2, 2022.<\/span><\/p>\n<p>Roulland, Daniel (ed)., Revue \u00e9lectronique de linguistique CORELA (<em>Cognition, Repr\u00e9sentation, Langage<\/em>), Vol. 20-2, 2022 (<a href=\"https:\/\/doi.org\/10.4000\/corela.15313\">https:\/\/doi.org\/10.4000\/corela.15313<\/a>).<\/p>\n<p><span class=\"familyName\">Touihri-Mebarek<\/span>, Donia, <span dir=\"ltr\">\u201c<span lang=\"en\" xml:lang=\"en\">Migrants in the city: Rethinking the governance of integration in an age<\/span> <span lang=\"en\" xml:lang=\"en\">of<\/span> <span lang=\"en\" xml:lang=\"en\">\u2018super-diversity\u2019<\/span>\u201d<\/span>,\u00a0<em>Angles<\/em> [Online], 15, 2022.<\/p>\n<h2>2021<\/h2>\n<p>Bauer, Sylvie, Lechevalier-Bekadar, Nawelle, et Tr\u00e9guer, Florian (eds.), <em>Brian Evenson : l\u2019Empire de la cruaut\u00e9<\/em>, Rennes : PUR, 2021.<\/p>\n<p>Bauer, Sylvie, Claudia Desblaches et Claude Jamain (dir.), <em>Voix Acousmates<\/em>, actes du colloque organis\u00e9 par Rennes 2 en mai 2017, collection Hors s\u00e9rie, Presses universitaires de Rennes,\u00a0 8 juillet 2021.<\/p>\n<p>Caignet, Aurore, \u201c\u2018It\u2019s Grim Up North\u2019: Depicting Mutations and Shifting Perceptions of Industrial Landscapes in the North of England\u201d dans <em>British Art and the Environment: Changes, Challenges, and Responses Since the Industrial Revolution<\/em>, co-dirig\u00e9 par Charlotte Gould et Sophie Mespl\u00e8de. Routledge.<\/p>\n<p>Caignet, Aurore, \u201cDeindustrialised Urban Landscapes in the North of England: Exploring and Photographing Post-Industrial Manchester\u201d dans <em>Paysages inhumains<\/em>, dirig\u00e9 par H\u00e9l\u00e8ne Schmutz, Olivier Chavanon, Emilie-Anne P\u00e9py &amp; Dominique Pety, Presses universitaires Savoie Mont Blanc.<\/p>\n<p>Caignet, Aurore, \u201cReading and Experiencing Industrial Heritage: Assessing the Cultural and\/or Creative Reuse of a Hydraulic Pump House and a Cotton Mill in Manchester and Salford\u201d dans <em>Anaphora: Legacy and Memory<\/em>, dirig\u00e9 par Robert B. Galin, Interdisciplinary Discourses (London Centre for Interdisciplinary Research).<\/p>\n<p><span style=\"font-size: 12.0pt; font-family: 'Arial',sans-serif; mso-ansi-language: EN-GB;\">Chartier Fabien, &lsquo;An oblivion of History: When Tagore warned Gandhi about the dangers of Herd Mentality and Despotism\u2019,\u00a0<\/span><span style=\"font-size: 12.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: FR; mso-bidi-font-weight: bold;\"><em style=\"mso-bidi-font-style: normal;\">Rewriting History<\/em>, dir. Geetha Ganapathy-Dor\u00e9, Acte du colloque SARI-CREA (Nanterre), volume 13, <\/span><span style=\"font-size: 12.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: #1d2228; background: white; mso-fareast-language: FR;\">N\u00b02, <\/span>2021.<\/p>\n<p>Cl\u00e9ment, Guillaume, <a href=\"https:\/\/journals.openedition.org\/lisa\/13109\" target=\"_blank\" rel=\"noopener\">\u00ab\u00a0\u2018Insular Hobbits\u2019?\u00a0 Englishness, Euroscepticism and the Brexit vote in Jonathan Coe\u2019s\u00a0<em>Middle England<\/em>\u00a0(2018)\u00a0\u00bb<\/a>, in La\u00ebtitia Langlois &amp; Maud Michaud (dir.), \u00ab\u00a0Brexit in Perspective: Debating British Identity and Politics\u00a0\u00bb,\u00a0<em>Revue LISA \/ LISA e-journal<\/em>, vol. XIX (2021).<\/p>\n<p><span lang=\"fr\">Cloarec, Nicole,<\/span> <span lang=\"FR\">Hall <\/span><span lang=\"FR\">Anne et Lachazette Xavier (eds): \u201cThe Enduring Appeal of Daphne Du Maurier&rsquo;s Fiction \u2013 New Critical Perspectives\u201d, <\/span><em><span lang=\"fr\">Revue LISA\/LISA e-journal<\/span><\/em><em><span lang=\"fr\">, <\/span><\/em><span lang=\"FR\"><a href=\"http:\/\/lisa.revues.org\/\">http:\/\/lisa.revues.org\/<\/a><\/span><span lang=\"FR\">, 20 (52), 2021.<\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-no-proof: yes;\"><span style=\"mso-spacerun: yes;\">Cloarec, Nicole, <\/span>\u201c<\/span><span style=\"font-size: 11.0pt;\">Gender and Generic Clashes in <em>The Years Between<\/em> (Compton Bennett, 1946)\u201d in <\/span><span style=\"font-size: 12.0pt; mso-bidi-font-weight: bold;\">\u201cThe Enduring Appeal of Daphne Du Maurier&rsquo;s Fiction \u2013 New Critical Perspectives\u201d,<\/span> <span style=\"font-size: 12.0pt;\">Nicole Cloarec, Anne Hall et Xavier Lachazette (eds), <\/span><em><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-weight: bold;\">Revue LISA\/LISA e-journal<\/span><\/em><em><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-weight: bold;\">, <\/span><\/em><span style=\"font-size: 12.0pt;\"><a href=\"http:\/\/lisa.revues.org\/\"><span style=\"mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-weight: bold;\">http:\/\/lisa.revues.org\/<\/span><\/a><\/span> <span style=\"font-size: 12.0pt;\">Vol. 20-N\u00b052 | 2021. <\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-ansi-language: EN-GB;\">Cloarec, Nicole, \u201cMetaleptic Vertigo: Temporal and Generic Crossovers in <em>The Singing Detective,\u201d <\/em><\/span><span style=\"font-size: 12.0pt; mso-ansi-language: EN-GB; mso-fareast-language: ES;\">in <\/span><em><span style=\"font-size: 12.0pt; mso-ansi-language: EN-GB;\">Film Journal<\/span><\/em><span style=\"font-size: 12.0pt; mso-ansi-language: EN-GB;\"> 8 <\/span><span style=\"font-size: 12.0pt;\"><a href=\"http:\/\/filmjournal.org\/\"><span style=\"mso-ansi-language: EN-GB;\">http:\/\/filmjournal.org\/<\/span><\/a><\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-style: italic;\">Cloarec, Nicole<\/span>,<span style=\"font-size: 12.0pt; mso-ansi-language: EN-GB;\"> \u201cIn the Name of the British People: Words and Democracy in Three Post-Brexit Films,\u201d <em>Revue LISA\/LISA e-journal<\/em> vol. 19-n\u00b051\u00a0|\u00a02021, http:\/\/journals.openedition.org\/lisa\/13168\u00a0; DOI\u00a0: <a href=\"https:\/\/doi.org\/10.4000\/lisa.13168\">https:\/\/doi.org\/10.4000\/lisa.13168<\/a><\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-style: italic;\">Cloarec, Nicole,<\/span><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\"> \u201cIn-between still and moving pictures: series and seriality in Stephen Poliakoff\u2019s serial drama<em style=\"mso-bidi-font-style: normal;\"> Shooting the Past<\/em> (1999),\u201d <em style=\"mso-bidi-font-style: normal;\">in<\/em> <em>Exploring Seriality on Screen, <\/em>Ariane Hudelet and Anne Cr\u00e9mieux<span style=\"mso-bidi-font-style: italic;\"> (eds)<em>, <\/em>London: <\/span>Routledge, 2021, p.199-212.<\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\"><span style=\"font-size: 12.0pt;\">Cloarec, Nicole, \u201cMediating the aftermaths of the Troubles: conflicting memories and reconciliation in<em style=\"mso-bidi-font-style: normal;\"> Five Minutes of Heaven<\/em> (Oliver Hirschbiegel, 2009) and <em style=\"mso-bidi-font-style: normal;\">I am Belfast<\/em> (Mark Cousins, 2015),\u201d <em style=\"mso-bidi-font-style: normal;\">in R\u00e9surgences m\u00e9morielles, le travail de la m\u00e9moire entre arts et histoire<\/em>, Presses Universitaires de Rennes, 2021, p. 263-277.<\/span><\/span><\/p>\n<p>Dardenne, Emilie, \u201cThe Tipping Point? The Covid-19 Crisis, Critical Animal Studies and Academic Responsibility\u201d, dans Sylvie Nail et Camille Manfredi (eds), <i>E-rea<\/i> num\u00e9ro sp\u00e9cial \u00ab\u00a0Understanding, Acknowledging, Representing Environmental Emergency\u00a0\u00bb, vol. XVIII, n\u00b0 2, juin 2021, en ligne : <a href=\"https:\/\/journals.openedition.org\/erea\/12283\">https:\/\/journals.openedition.org\/erea\/12283<\/a>.<\/p>\n<p>Camus, Christophe et Claudia <strong>Desblaches<\/strong> (eds), <em>Chemins de la cr\u00e9ation, Arts et Territoires<\/em>, Le Bord de l&rsquo;Eau, collection La Muette, Belgique, octobre 2021.<\/p>\n<p>Dickason, Ren\u00e9e, \u00ab\u00a0De l\u2019aurore t\u00e9l\u00e9visuelle \u00e0 l\u2019\u00e9veil cr\u00e9atif et artistique de la BBC ou quand l\u2019image rejoint le son \/From the Dawn of Television to the Creative and Artistic Awakening of the BBC or when Image joins Sound\u00a0\u00bb, <em>Revue<\/em> <em>\u00c9tudes Anglaises<\/em>, 73-4, Paris, Editions Klincksieck, 2021, 411-431.<\/p>\n<p>Dickason, Ren\u00e9e, \u00ab\u00a0Gen\u00e8se de la BBC ou les balbutiements de sa Majest\u00e9 des ondes\u00a0\u00bb, <em>in<\/em> The BBC and Public Service Broadcasting in the Twentieth Century, <em>Revue fran\u00e7aise de civilisation britannique<\/em>, XXVI-I, 2021, &lt;<a href=\"https:\/\/journals.openedition.org\/rfcb\/7433&amp;gt\">https:\/\/journals.openedition.org\/rfcb\/7433&amp;gt.<\/a><\/p>\n<p>Dickason, Ren\u00e9e. \u00ab\u00a0Entre harmonies et dissonances, accords et d\u00e9saccords : vers une mosa\u00efque musicale am\u00e9ricaine dans les m\u00e9dias audiovisuels britanniques\u00a0\u00bb, in Philippe Poirrier &amp; Lucas Le Texier, <em>Circulations musicales transatlantiques au XXe si\u00e8cle<\/em>, 2021.<\/p>\n<p><span id=\"mla_FR\"><span class=\"UpperCase\">Dickason, <\/span><\/span><span id=\"mla_FR\"><span class=\"UpperCase\">Ren\u00e9e, <\/span><\/span><span id=\"mla_FR\"><span class=\"UpperCase\"> \u00ab\u00a0<em>The Distant Shores of Freedom: Vietnamese American Memoirs and Fiction<\/em>, by Subarno Chattarji, 2019, Bloomsbury Academic, 320 pages, recension, 2021&Prime;, <em>Lorgnette Litt\u00e9raire, LISA e-journal (<\/em><a href=\"https:\/\/journals.openedition.org\/lisa\/12981?lang=fr\">https:\/\/journals.openedition.org\/lisa\/12981?lang=fr<\/a>).<\/span><\/span><\/p>\n<p><span id=\"mla_FR\"><span class=\"UpperCase\">Goarzin, Anne, \u00ab Little Stories, Little Prints \u00bb : Creating an Archive of Feelings for the Easter Rising \u00bb, in D. Letort, H. Lecossois et R. Bouchet (dirs.), <em>R\u00e9surgences conflictuelles : le travail de m\u00e9moire entre art et histoire<\/em>, Rennes, PUR, 2021, pp. 315-328<\/span><\/span><\/p>\n<p><span id=\"mla_FR\"><span class=\"UpperCase\">Faingnaert<\/span>, Victor &amp; <span class=\"UpperCase\"><strong>Hary<\/strong>, <\/span><\/span><span id=\"mla_FR\">Maggy,<\/span><span id=\"mla_FR\"> \u00ab Masculinit\u00e9s en guerre : <i>Downton Abbey<\/i> et <i>Peaky Blinders<\/i>, deux visions des lendemains de la Grande Guerre\u00a0\u00bb, <i>Le Temps des m\u00e9dias<\/i>, 37(2), 2021, 90-109. <\/span><\/p>\n<p>Hellier-Lloyd, Anne, Chapitre 2. La campagne des quakers anglais pour la libert\u00e9 religieuse et les droits civils au xviie si\u00e8cle, <em>in<\/em> Anne-Claire Faucquez &amp; Linda Garbaye (eds),<em> Citoyennet\u00e9 et libert\u00e9 dans l\u2019Empire britannique et les jeunes \u00c9tats-Unis XVIIe-XIXe si\u00e8cles, <\/em>Presses universitaires Fran\u00e7ois-Rabelais, 2021.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, \u00ab Les voix des f\u00e9minit\u00e9s et des masculinit\u00e9s latines dans la s\u00e9rie t\u00e9l\u00e9vis\u00e9e <em>Jane the Virgin,<\/em>\u00a0\u00bb <em>Lectures du Genre<\/em>, n\u00b015 Performance et libert\u00e9, novembre 2021, <a href=\"https:\/\/lecturesdugenrefr.files.wordpress.com\/2021\/11\/6.-le-fevre.pdf\">disponible en ligne<\/a>.<\/p>\n<p>Le Fustec, Claude, \u00ab\u00a0Mark Eaton, <em>Religion and American Literature Since 1950<\/em> (London: Bloomsbury, 2020)\u00a0\u00bb,\u00a0<em>Cercles,\u00a0<\/em>2021.\u00a0(<a href=\"http:\/\/www.cercles.com\/review\/r91\/Eaton.html\">http:\/\/www.cercles.com\/review\/r91\/Eaton.html<\/a>).<\/p>\n<p>Le Voguer Gildas, \u00ab La CIA Borderline, \u00bb <em>Historia<\/em>, Num\u00e9ro sp\u00e9cial, f\u00e9vrier 2021, p. 62-67.<\/p>\n<p>Lechevalier-Bekadar, Nawelle, \u00ab\u00a0\u00ab\u00a0Contagion\u00a0\u00bb de Brian Evenson ou l&rsquo;all\u00e9gorie fractur\u00e9e\u00bb, in Sylvie Bauer, Nawelle Lechevalier-Bekadar, Florian Tr\u00e9guer (eds), <em>L&rsquo;Empire de la cruaut\u00e9<\/em>,\u00a0 Rennes : PUR, 2021.<\/p>\n<p>Lelourec, Lesley, and O&rsquo;Keeffe-Vigneron, Grainne (eds), <em>Northern Ireland after the Good Friday Agreement: building a shared future from a troubled past?, <\/em>Re-imagining Ireland Series, 99, Oxford: Peter Lang, 2021, 248p.<\/p>\n<p>Lelourec, Lesley, \u00ab\u00a0Politics and the People: Shaping and sharing the future in Northern Ireland\u00a0\u00bb in Lesley Lelourec &amp; Grainne O&rsquo;Keeffe-Vigneron (eds), <em>Northern Ireland after the Good Friday Agreement: building a shared future from a troubled past?, <\/em>Re-imagining Ireland Series, 99, Oxford: Peter Lang, 2021.<\/p>\n<p>Mespl\u00e8de, Sophie, \u00ab\u00a0Pets in the Studio. Mediating Artistic Sociability in a Polite and Commercial Age.\u00a0\u00bb <em>Etudes Anglaises<\/em>. Vol. 74\/3. \u00ab\u00a0Sociable Spaces in Eighteenth-Century Visual and Material Culture\u00a0\u00bb. July\/September 2021. pp. 336-352.<\/p>\n<p>Gould, Charlotte &amp; <strong>Mespl\u00e8de<\/strong>, Sophie (eds),<em> British Art and the Environment. Changes, Challenges and Responses since the Industrial Revolution<\/em>. New York &amp; London: Routledge, 2021.<\/p>\n<p>Gould, Charlotte &amp; <strong>Mespl\u00e8de<\/strong>, Sophie, \u00ab\u00a0Introduction\u00a0\u00bb. Charlotte Gould &amp; Sophie Mespl\u00e8de, in Charlotte Gould &amp; Sophie Mespl\u00e8de eds. <em>British Art and the Environment. Changes, Challenges and Responses since the Industrial Revolution. <\/em>New York &amp; London: Routledge, 2021, 1-24.<\/p>\n<p>Mespl\u00e8de, Sophie, \u00ab\u00a0Pursuing Beauty. The Artist as a Hunter in Eighteenth-Century Art.\u00a0\u00bb in Charlotte Gould &amp; Sophie Mespl\u00e8de (eds). <em>British Art and the Environment. Changes, Challenges and Responses since the Industrial Revolution. <\/em>New York &amp; London: Routledge, 2021, 147-165.<\/p>\n<p>Roulland, Daniel (ed), Revue \u00e9lectronique de linguistique CORELA (<em>Cognition, Repr\u00e9sentation, Langage<\/em>), Vol. 19-2, 2021 (<a href=\"https:\/\/doi.org\/10.4000\/corela.13174\">https:\/\/doi.org\/10.4000\/corela.13174<\/a>).<\/p>\n<p><span class=\"familyName\">Sarrouy<\/span>, Marion, \u00ab\u00a0<span dir=\"ltr\">Christopher Small, <em>Musiquer\u00a0: le sens de l\u2019exp\u00e9rience musicale<\/em>, trad. de l\u2019anglais par Jedediah Sklower, pr\u00e9f. d\u2019Antoine Hennion\u00a0\u00bb<\/span>,\u00a0<em>Gradhiva<\/em> [En ligne], 32, 2021.<\/p>\n<p>Tang, Maria, \u00ab\u00a0Standing as an Independent: Freedom from or Freedom of Attachments in <em>Middlemarch<\/em>?\u00a0\u00bb, <em>Polys\u00e8mes. Revue d\u2019\u00e9tudes Intertextuelles et Interm\u00e9diales<\/em>, 26, 2021. <em>journals-openedition-org.distant.bu.univ-rennes2.fr<\/em>, <a href=\"https:\/\/doi.org\/10.4000\/polysemes.9125\">https:\/\/doi.org\/10.4000\/polysemes.9125<\/a>.<\/p>\n<p>Tang, Maria, Recension <a href=\"http:\/\/www.cercles.com\/review\/r88\/Letissier.html\">\u00ab\u00a0The higher inward life\u00a0\u00bb: George Eliot&rsquo;s <em>Middlemarch<\/em>, by Georges Letissier. <\/a><em>Cercles: Revue pluridisciplinaire du monde anglophone<\/em>, 2021.<\/p>\n<p>Tr\u00e9guer, Florian, <em>Don DeLillo. Une \u00e9criture parano\u00efaque de l&rsquo;Am\u00e9rique<\/em>. Rennes, Presses Universitaires de Rennes, coll. \u00ab\u00a0Interf\u00e9rences\u00a0\u00bb, 2021, 670 p.<\/p>\n<p>Tr\u00e9guer, Florian, &lsquo;L\u2019\u00c9criture de la cruaut\u00e9\u00a0\u00bb in Sylvie Bauer, Nawelle Lechevalier-Bekadar et Florian Tr\u00e9guer (eds), <em>Brian Evenson. L&rsquo;Empire de la cruaut\u00e9, <\/em>Rennes : PUR, 2021, 170-172.<\/p>\n<p>&nbsp;<\/p>\n<h2>2020<\/h2>\n<p>Bauer, Sylvie, Larsonneur, Claire, Machinal, H\u00e9l\u00e8ne, et Arnaud Regnauld (eds). <em>Subjectivit\u00e9s num\u00e9riques et posthumain : Colloque de Cerisy<\/em>. Presses universitaires de Rennes, 2020.<\/p>\n<p>Bauer, Sylvie, \u00ab \u201cLiterally Everything I Utter Is a Metaphor\u201d: Thought Unhinged in <em>The Water Cure<\/em> and <em>Percival Everett by Virgil Russell<\/em>, by Percival Everett \u00bb, Transatlantica [En ligne], 1 | 2020.<\/p>\n<p>Bauer, Sylvie, \u00ab\u00a0Il faut d\u00e9fendre le CNU\u00a0\u00bb, revue AOC, 12\/02\/2020<\/p>\n<p>Bauer Sylvie, \u00ab Transhumanisme, posthumain, anti-humanisme : figures de l&rsquo;humain \u00bb in <em>Palimpseste<\/em> N\u00b0 3, Hiver 2020.<\/p>\n<p>Bauer Sylvie, \u00ab\u00a0Illusion mim\u00e9tique et agencements machiniques dans Galatea 2.2 de Richard Powers\u00a0\u00bb<em>, <\/em>in\u00a0 <em>L&rsquo;Age des postmachines<\/em>, Boof-Vermesse, Isabelle et Jean-Fran\u00e7ois Chassay, eds, Les Presses de l&rsquo;Universit\u00e9 de Montr\u00e9al, collection Cavales, 2020, pp. 93-108.<\/p>\n<p>Bauer, Sylvie, \u201cPolitique et pratique de la litt\u00e9rature \u00e0 l\u2019Universit\u00e9\u201d, in <em>Recherche et transmission en cultures \u00e9trang\u00e8res<\/em>, Pughe, Thomas, Karin Fischer, Claire Decobert, Mathieu Bonzom, eds, Rennes : PUR, 2020, pp. 39-49.<\/p>\n<p>Bauer Sylvie, \u201cA consciousness that blends with the environment\u201d : D\u00e9sir d\u2019immortalit\u00e9 et re-cr\u00e9ation du monde dans <em>ZeroK<\/em> de Don DeLillo in <em>Apocalypses, in <\/em>H\u00e9l\u00e8ne Machinal, Monica Michlin, Arnaud Regnauld (eds), <em>Otrante<\/em>, n 47-48, Printemps-automne 2020, pp. 295-308.<\/p>\n<p><span lang=\"EN-US\">B\u00e9reau, Laurie, <\/span>\u00abLa machine \u00e0 \u00e9duquer fonctionne-t-elle encore?\u00bb dans Lauric Henneton (\u00e9d.), <em>Le R\u00eave am\u00e9ricain \u00e0 l&rsquo;\u00e9preuve de la pr\u00e9sidence Trump, <\/em>Vend\u00e9miaire, 2020.<\/p>\n<p>B\u00e9reau, Laurie, \u00ab\u00a0Recension <span lang=\"EN-US\">Nicholas Tampio,<\/span><em><span lang=\"EN-US\"> Common Core: National Education Standards and the Threat to Democracy,\u00a0 <\/span><\/em><span lang=\"EN-US\">(Baltimore: Johns Hopkins University Press, 2018)\u00a0\u00bb, <em>Cercles, <\/em>2020, <\/span><a href=\"http:\/\/www.cercles.com\/review\/r88\/Tampio.html\">http:\/\/www.cercles.com\/review\/r88\/Tampio.html<\/a><\/p>\n<p><span lang=\"EN-US\">Boisgerault, Pauline, \u00ab\u00a0All equal, far reaches, no bounds\u00a0\u00bb: Exploring and Redefining the American Space through Gary Snyder&rsquo;s Wild Ecopoetry\u00a0\u00bb, <em>Revue Fran\u00e7aise d&rsquo;Etudes Am\u00e9ricaines,\u00a0<\/em> 2020, 2 (163), 98-113.<\/span><\/p>\n<p>Caignet, Aurore, \u201cReinventing and Promoting Northern Industrial Heritage: Regeneration in the Textile Sites of Ancoats and Saltaire\u201d, in <a href=\"https:\/\/journals.openedition.org\/rfcb\/5401#authors\"><em>Revue Fran\u00e7aise de Civilisation Britannique,<\/em><\/a> <em>Revisiting the UK&rsquo;s North-South Divide: The Changing Face of the North<\/em>, sous la direction de Mark Bailoni et Corinne Nativel.<\/p>\n<p>Caignet, Aurore, \u00ab\u00a0The Meadow Matriarch\u00a0\u00bb avec Gregg Kleiner, <em>Revue LISA<\/em>, M\u00e9langes en hommage au Dr. Denis Mukwege, Contributeurs K \u00e0 Z.<\/p>\n<p>Gregg Kleiner et Aurore <strong>Caignet<\/strong>, \u201cThe Meadow Matriarch\u201d, <em>Revue LISA\/LISA e-journal<\/em>, M\u00e9langes en hommage au Dr. Mukwege, Contributeurs K \u00e0 Z.<\/p>\n<p>Centi, Christelle, \u00ab Les machines de texte dans <em>Infinite Jest <\/em>de David Foster Wallace \u00bb, in Isabelle Boof-Vermesse et Jean-Fran\u00e7ois Chassay (eds), <em>L\u2019\u00e2ge des postmachines<\/em>, Presses Universitaires de Montr\u00e9al, 2020.<\/p>\n<p>Chartier Fabien (ed.) Rabindranath Tagore, <em>Oeuvres<\/em>, Quarto-Gallimard, Paris, f\u00e9vrier 2020.<\/p>\n<p>Lurbe, Pierre &amp; <strong>Cl\u00e9ment<\/strong>, Guillaume, <em>Le Royaume-Uni aujourd\u2019hui<\/em>, 9e \u00e9dition. Hachette Sup\u00e9rieur, 2020<\/p>\n<p>Peter John, Pierre Lurbe &amp; Guillaume <strong>Cl\u00e9ment<\/strong>,\u00a0<em>Civilisation Britannique<\/em>, 10e \u00e9dition.\u00a0Hachette Sup\u00e9rieur, 2020<\/p>\n<p><span lang=\"fr\">Cloarec, Nicole &amp; <\/span><span lang=\"fr\">Letort Delphine (eds) <\/span>(2020)\u00a0: <em>Film Journal<\/em> 6\u00a0: Actors Behind the Camera, 2020, <span lang=\"FR\"><a href=\"http:\/\/filmjournal.org\/\">http:\/\/filmjournal.org\/<\/a><\/span><\/p>\n<p><span style=\"mso-ansi-language: EN-US;\">Cloarec Nicole &amp; Delphine Letort, \u201cActors Behind the Camera: Introduction\u201d,<em style=\"mso-bidi-font-style: normal;\"> in Film Journal<\/em> 6: Actors Behind the Camera, mars 2020. <\/span><a href=\"http:\/\/filmjournal.org\/\"><span style=\"mso-ansi-language: EN-GB;\">http:\/\/filmjournal.org\/<\/span><\/a><\/p>\n<p><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\">Cloarec, Nicole. \u201cQuestions of <span style=\"mso-font-kerning: 1.0pt; mso-bidi-font-weight: bold;\">Intimacy and Distance in Three Films by Sarah Polley,\u201d<\/span> <em style=\"mso-bidi-font-style: normal;\">in Film Journal<\/em> 6: Actors Behind the Camera, mars 2020. <\/span><span style=\"font-size: 12.0pt;\"><a href=\"http:\/\/filmjournal.org\/\"><span style=\"mso-ansi-language: EN-GB;\">http:\/\/filmjournal.org\/<\/span><\/a><\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\">Cloarec, Nicole, \u201cFiguring guilt and responsibility in the film adaptations of <em style=\"mso-bidi-font-style: normal;\">The Child in Time<\/em>, <em style=\"mso-bidi-font-style: normal;\">Enduring Love<\/em> &amp; <em style=\"mso-bidi-font-style: normal;\">Atonement\u201d<\/em> colloque international<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>\u00ab\u00a0A diachronic approach to Ian McEwan\u2019s fiction: from sensationalism to ethical writing,\u201d <\/span><span style=\"font-size: 12.0pt; mso-ansi-language: EN-GB;\">Armelle Parey, Isabelle Roblin (ed). <\/span><em><span style=\"font-size: 12.0pt;\">Reading Ian McEwan\u2019s Mature Fiction: New Critical Approaches<\/span><\/em><span style=\"font-size: 12.0pt;\">, Presses Universitaires de Nancy &#8211; Editions Universitaires de Lorraine. Book Practices &amp; Textual Itineraries (13), 2020, p.245-259.<\/span><\/p>\n<p><span lang=\"FR\">Cloarec, Nicole, \u00ab\u00a0Homer B. Pettey &amp; R. Barton Palmer (eds), Rule Britannia! <\/span><span lang=\"EN-US\">The Biopic and British National Identity, (Albany, New York: Suny Press, 2018. <\/span><span lang=\"FR\">329 pages, ISBN 978-1438471129)\u00a0\u00bb,\u00a0 <em>Cercles<\/em>, 2020, <a href=\"http:\/\/www.cercles.com\/review\/r87\/Pettey.html\">http:\/\/www.cercles.com\/review\/r87\/Pettey.html.<\/a> <\/span><\/p>\n<p>Dardenne, Emilie, \u201cL\u2019utilitarisme\u201d, dans Renan Larue (dir.), <i>La pens\u00e9e v\u00e9gane. 50 regards sur la condition animale<\/i>, Paris : Puf, 2020.<\/p>\n<p>Dardenne, Emilie, <i>Introduction aux \u00e9tudes animales<\/i>, Paris\u00a0: Puf, 2020.<\/p>\n<p>Desblaches, Claudia, \u00ab\u00a0Le Ph\u00e9nom\u00e8ne Eduardo Kac: les difficult\u00e9s de l&rsquo;audace\u00a0\u00bb<em>, in <\/em>Florence Dumora, Caroline Julliot, Elisabeth Rothmund (eds),<em>Savoir en Prismes<\/em>, 11,\u00a0 <em>L\u2019audace: vertu, valeur<\/em>, 2020. <a href=\"https:\/\/savoirsenprisme.com\/numeros\/11-2019-laudace-vertu-valeur\/le-phenomene-kac-ou-les-difficultes-de-laudace\/\">https:\/\/savoirsenprisme.com\/numeros\/11-2019-laudace-vertu-valeur\/le-phe\u2026<\/a><\/p>\n<p>Desblaches, Claudia, \u00ab\u00a0Gutenberg tout contre Uber: la po\u00e9sie digitale ou le mariage de la m\u00e9duse et du lapin\u00a0\u00bb, <em>Palimpseste<\/em>, 3, \u00ab\u00a0<em>Ce que le num\u00e9rique fait \u00e0 la soci\u00e9t\u00e9<\/em>\u00ab\u00a0, Rennes 2, 2020. <a href=\"https:\/\/www.univ-rennes2.fr\/article\/numero-3-palimpseste-lire-ligne\">https:\/\/www.univ-rennes2.fr\/article\/numero-3-palimpseste-lire-ligne<\/a><\/p>\n<p>Dickason, Ren\u00e9e &amp; Fournier, Georges (eds), <em>La BBC et le service public audiovisuel, 1922-1995<\/em>, <em>Informer, Eduquer, Divertir<\/em>, Paris, Atlande, 2020, 412p.<\/p>\n<p>Dickason, Ren\u00e9e, \u00ab\u00a0Histoire d\u2019une fabrique culturelle singuli\u00e8re : la BBC \u00e0 la crois\u00e9e de quelques \u00e9missions et s\u00e9ries phares\u00a0\u00bb, in Ren\u00e9e Dickason &amp; Georges Fournier (eds), <em>La BBC et le paysage audiovisuel britannique : principes fondateurs, mutations, contenus (1922-1995)<\/em>, Paris, Ellipses, 2020, 31-54.<\/p>\n<p>Dickason, Ren\u00e9e, <em>La BBC dans le paysage audiovisuel britannique : principes fondateurs, mutations, contenus (1922-1995)<\/em>, Paris, Belin, 2020, 205p.<\/p>\n<p>Ren\u00e9e Dickason, \u00ab\u00a0<em>The Best of Medic in the Green Time (Writings from the Vietnam War and its Aftermath)<\/em>, by Marc Levy, Salem, MA, USA, Winter Street Press, 2020, 565 pages\u00a0\u00bb, <em>Lorgnette Litt\u00e9raire, LISA e-journal, <\/em>2020 (<a href=\"https:\/\/journals.openedition.org\/lisa\/12868\">https:\/\/journals.openedition.org\/lisa\/12868<\/a>).<\/p>\n<p>Goarzin, Anne, Morisson Val\u00e9rie et Staunton Mathew (dir.), <em>Irish Arts: New Contexts, Etudes Irlandaises<\/em>, 45 :1, printemps 2020, doi.org\/10.4000\/etudesirlandaises.8736.<\/p>\n<p>Goarzin, Anne et Parsons M., (dir.) <em>New Cartographies, Nomadic Methodologies : Contemporary Arts, Culture and Politics in Ireland<\/em>, London, NY and Oxford, Peter Lang, 2020, 192 p.<\/p>\n<p>Prendiville, Brendan &amp; Haigron, David (eds.), <em>Political Ecology and Environmentalism in Britain<\/em>, Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2020.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs, <em>Speak Up ! Des coulisses \u00e0 l\u2019\u00e9cran, voix de femmes et s\u00e9ries am\u00e9ricaines \u00e0 l\u2019or\u00e9e du XXIe si\u00e8cle<\/em>, Paris: PSN, 2020.<\/p>\n<p>Lechevalier-Bekadar, Nawelle, \u00ab \u00ab\u00a0Her Other Bodies : A Travelogue\u00a0\u00bb de Brian Evenson. Rituels d&rsquo;une \u00e9criture au scalpel \u00bb, <em>La Peaulogie<\/em>, 4, 2020.<\/p>\n<p>Roulland, Daniel (ed), Revue \u00e9lectronique de linguistique CORELA (<em>Cognition, Repr\u00e9sentation, Langage<\/em>), Vol. 18-2, 2020 (<a href=\"https:\/\/doi.org\/10.4000\/corela.9234\">https:\/\/doi.org\/10.4000\/corela.12547).<\/a><\/p>\n<p>Tang, Maria, \u00ab\u00a0Embroiled Mediums: George Eliot and Environment; or, the Ecologies of <em>Middlemarch\u00a0\u00bb,<\/em> <em>\u00c9tudes anglaises<\/em>, 73, 1, 2020, 3-29. <em>Cairn.info<\/em>, <a href=\"https:\/\/doi.org\/10.3917\/etan.731.0003\">https:\/\/doi.org\/10.3917\/etan.731.0003<\/a>.<\/p>\n<p>Tang, Maria. \u00ab\u00a0Navigating the restless \u201cboundaries of migration\u201d: Ruth Padel\u2019s\u00a0The Mara Crossing\u00a0as a \u201cmatter-realist\u201d exploration of the border between the human and the nonhuman\u00a0\u00bb. In\u00a0<em>Borders and areas of contact in Anglophone cultures, literatures, and art<\/em>, BRILL\/Rodopi, 2020, 230-247. <a href=\"https:\/\/doi.org\/10.1163\/9789004417885\">https:\/\/doi.org\/10.1163\/9789004417885<\/a><\/p>\n<h2>2019<\/h2>\n<p>Besnard, Anne-Laure. \u00ab Structure(s) BE X TO en anglais contemporain : rep\u00e9rage et\u00a0modalisation \u00bb. In Coulouma, Flore, et C\u00e9cile Viollain, \u00e9ds.\u00a0<em>Param\u00e9trer le sens en anglais et en fran\u00e7ais\u00a0\u2014 Marqueurs et structures : articulations et constructions<\/em>. Lambert-Lucas, 2019, pp.57-71.<\/p>\n<p>Villeseche, J., Oriez, Sandrine., Besnard, Anne-Laure, Le Bohec, O., Quaireau, C. No\u00ebl, Y.,\u00a0 De la haye, F.,\u00a0 Nogues, J. et Lavandier, K., \u00ab Adaptive E-Learning as a Possible Solution to Counter Heterogeneity in Classrooms ? English Grammar Seen Through Cognitive Psychology and Psychometric Methods\u00bb, <em>Recherche et pratiques p\u00e9dagogiques en langues de sp\u00e9cialit\u00e9<\/em>, 38 (1), 2019 <a href=\"https:\/\/journals.openedition.org\/apliut\/6701\">https:\/\/journals.openedition.org\/apliut\/6701<\/a><\/p>\n<p>Villeseche, J., Oriez, Sandrine., Besnard, Anne-Laure, Le Bohec, O., Quaireau, C. No\u00ebl, Y.,\u00a0 De la haye, F.,\u00a0 Nogues, J. et Lavandier, K., \u00ab\u00a0Enhancing reading skills through adaptive e-learning\u00a0\u00bb, <em>Interactive Technology and Smart Education<\/em>, 16 (1), 2019, 2-17, <a href=\"https:\/\/doi.org\/10.1108\/ITSE-07-2018-0047\">https:\/\/doi.org\/10.1108\/ITSE-07-2018-0047<\/a><\/p>\n<p>Villess\u00e8che, Julie, Sandrine Oriez, Anne-Laure Besnard, Olivier Le Bohec, Christophe Quaireau,\u00a0Yvonnick No\u00ebl, Fanny De La Haye, J\u00e9r\u00e9mie Nogues et Karine Lavandier. \u00ab Adaptive e-learning\u00a0as a possible solution to counter heterogeneity in classrooms? English grammar seen through cognitive\u00a0psychology and psychometric methods \u00bb,\u00a0<em>Recherche et pratiques p\u00e9dagogiques en langues de sp\u00e9cialit\u00e9<\/em> [<a title=\"ouverture d'un nouvel onglet\" href=\"https:\/\/journals.openedition.org\/apliut\/6701\" target=\"_blank\" rel=\"noopener noreferrer\">En ligne<\/a>],\u00a0vol. 38 n\u00b01, 2019.<\/p>\n<p>Caignet, Aurore,\u201cRepresenting and Recording the Transformation of the Industrial Landscape in the North of England: A Reappraisal of Identity\u201d, in <a href=\"http:\/\/journals.openedition.org\/polysemes\/5909\"><em>Revue Polys\u00e8mes<\/em><\/a>, <em>Landscapes\/Cityscapes: Writing\/Painting\/Imagining Situational Identity in British Literature and Visual Arts<\/em>, sous la direction d&rsquo;Isabelle Gadoin, Marie Laniel, Catherine Lanone et Xavier Giudicelli.<\/p>\n<p>Centi, Christelle, \u00ab \u201cLike aiming for a moving target \u00bb\u00a0 : voir le langage, penser le temps de la nouvelle Story of your life de Ted Chiang \u00e0 son adaptation \u00e0 l\u2019\u00e9cran dans <em>Arrival <\/em>(2016) \u00bb, Otrante, \u00ab Paradoxes de l\u2019espace-temps en milieu hyperm\u00e9diatique \u00bb, 46, 2019, 87-98.<\/p>\n<p><span class=\"familyName\">Centi<\/span>, Christelle, <span dir=\"ltr\">\u00ab\u00a0\u00ab\u00a0Passeurs de la litt\u00e9rature am\u00e9ricaine en France 1917-1967\u00a0\u00bb\u00a0\u00bb<\/span>,\u00a0<em>Transatlantica<\/em> [En ligne], 1, 2018, mis en ligne le <span dir=\"ltr\">25 septembre 2019.<\/span><\/p>\n<p>Cl\u00e9ment, Guillaume &amp; Haigron, David (dir.), \u00ab <a href=\"https:\/\/journals.openedition.org\/lisa\/10393\" target=\"_blank\" rel=\"noopener\"><em>OK Computer<\/em>, twenty years on: Radiohead\u2019s musical, cultural and political legacies\u00a0\u00bb<\/a>.\u00a0<em>Revue LISA \/ LISA e-journal<\/em>\u00a0vol.XVII, 2019.Dickason, Ren\u00e9e. \u00ab\u00a0L\u2019audiovisuel au Royaume-Uni\u00a0\u00bb, in Laurent Martin (dir.), <em>Culture, M\u00e9dias, Pouvoirs aux Etats-Unis et en Europe occidentale, 1945-1991<\/em>, Edition Atlande, 2019, pp. 296-304<\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-style: italic;\">Cloarec, Nicole,<\/span><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\"> \u201cAlter egos and alternative endings in <em style=\"mso-bidi-font-style: normal;\">The Scapegoat<\/em> (Daphne du Maurier\u2019s novel, Robert Hamer\u2019s and Charles Sturridge\u2019s adaptations),\u201d <em style=\"mso-bidi-font-style: normal;\">in<\/em> <em style=\"mso-bidi-font-style: normal;\">Adapting Endings from Book to Screen<\/em>, <\/span><span style=\"font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic;\">Armelle Parey and Shannon Wells-Lassagne<\/span><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\"> (eds), Routledge, 2019, p.127-39. <\/span><span style=\"font-size: 12.0pt;\"><a href=\"https:\/\/www.routledge.com\/Adapting-Endings-from-Book-to-Screen-Last-Pages-Last-Shots-1st-Edition\/Parey-Wells-Lassagne\/p\/book\/9780367200688\"><span style=\"mso-ansi-language: EN-US;\">https:\/\/www.routledge.com\/Adapting-Endings-from-Book-to-Screen-Last-Pages-Last-Shots-1st-Edition\/Parey-Wells-Lassagne\/p\/book\/9780367200688<\/span><\/a><\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\">Cloarec, Nicole, \u201c\u2018Only connect\u2026\u2019 and disconnect: pattern and rhythm in <em style=\"mso-bidi-font-style: normal;\">Howards End<\/em> (Merchant-Ivory, 1992),\u201d <em style=\"mso-bidi-font-style: normal;\">in<\/em> <em style=\"mso-bidi-font-style: normal;\">Edward Morgan Forster <\/em>Howards End<em style=\"mso-bidi-font-style: normal;\"> and James Ivory\u2019s <\/em>Howards End, sous la direction de Jean-Fran\u00e7ois Baillon, Paris: Ellipses, 2019, p.41-60.<\/span><\/p>\n<p>Dickason, Ren\u00e9e, \u00ab L\u2019audiovisuel au Royaume-Uni, 1945-1991 \u00bb, in Laurent Martin (ed<em>), Culture, M\u00e9dias, Pouvoirs aux Etats-Unis et en Europe occidentale, 1945-1991<\/em>, Atlande, 2019, 296-314.<\/p>\n<p>Huchet, Doroth\u00e9e &amp; Tr\u00e9guer, Florian, \u00ab John le Carr\u00e9 : la conscience contre l\u2019appareil. \u00bb, <em>Positif<\/em>, num\u00e9ro sp\u00e9cial \u00ab Le film d\u2019espionnage \u00bb, 2019, 30-33.<\/p>\n<p>Jeanniard du Dot, Ma\u00eblle, \u00ab\u00a0Mapping the unstable: the Af-Pak border and its tropes in Nadeem Aslam\u2019s <em>The Blind Man\u2019s Garden<\/em> (2013)\u00a0\u00bb, <em>Repr\u00e9sentations dans le Monde Anglophone<\/em> (Revue du CEMRA), 2019. <a href=\"https:\/\/representations.univ-grenoble-alpes.fr\/spip.php?article49\">https:\/\/representations.univ-grenoble-alpes.fr\/spip.php?article49<\/a><\/p>\n<p>O&rsquo;Keeffe-Vigneron, Grainne, \u00ab\u00a0The Irish in France: Assessing Changes in the Profile of Irish Emigrants over the last 30 years\u00a0\u00bb, <em>Studi Irlandesi, <\/em>9, 2019, 383-409 (<a href=\"http:\/\/www.fupress.net\/index.php\/bsfm-sijis\/issue\/view\/1578\/showToc\">http:\/\/www.fupress.net\/index.php\/bsfm-sijis\/issue\/view\/1578\/showToc<\/a>).<\/p>\n<p>Oriez, Sandrine. et al., <em>In Full Swing<\/em>, Manuel d&rsquo;anglais pour la classe de 1\u00e8re, <em>Pr\u00e9cis Grammatical<\/em>, Paris, \u00e9ditions Didier, 2019. <a href=\"https:\/\/fr.calameo.com\/read\/005419417ae27e9f43a92\">https:\/\/fr.calameo.com\/read\/005419417ae27e9f43a92<\/a><\/p>\n<p>Oriez, Sandrine. et al., <em>In Full Swing<\/em>, Manuel d&rsquo;anglais pour la classe de 2nde, <em>Pr\u00e9cis Grammatical<\/em>, Paris, \u00e9ditions Didier, 2019. <a href=\"https:\/\/fr.calameo.com\/read\/00541941774e44f6ae60a\">https:\/\/fr.calameo.com\/read\/00541941774e44f6ae60a<\/a><\/p>\n<p>Perrot, C\u00e9cile. \u00ab Enjeux politiques et \u00e9conomiques de la r\u00e9forme agraire et fonci\u00e8re en Afrique du Sud \u00bb, <em>Notes de l&rsquo;IFRI, observatoire de l&rsquo;Afrique Australe et des Grands Lacs<\/em>, mars 2019.<\/p>\n<p>Perrot, C\u00e9cile. \u00ab\u00a0Afrique du Sud\u00a0: tensions autour de la r\u00e9forme agraire\u00a0\u00bb, <em>Les grands dossiers de la Diplomatie<\/em>, janvier 2019.<\/p>\n<p><span lang=\"EN-US\">Douay Catherine et Roulland Daniel (2019) \u00ab UP \u00e0 contre-sens \u00bb, <em>Corela<\/em> [En ligne], 17-1 | 2019, mis en ligne le 17 juin 2019, URL : <a href=\"http:\/\/journals.openedition.org\/corela\/8037\">http:\/\/journals.openedition.org\/corela\/8037<\/a><\/span><\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0Walt Whitman&rsquo;s Wild West Show: &lsquo;Italian Music in Dakota'\u00a0\u00bb. <em>Walt Whitman feuille \u00e0 feuille<\/em>, dir. Agn\u00e8s\u00a0Derail et C\u00e9cile Roudeau. Paris, Editions Rue d&rsquo;Ulm,\u00a02019.<\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0President Wilson, The War and the Formation of Modernist Dissent\u00a0\u00bb. <em>Modernist Communities<\/em>, ed. C. Pollentier et S. Wilson. Gainesville, University Press of Florida,\u00a02019.<\/p>\n<p>Tadi\u00e9 Beno\u00eet. \u00c9dition critique de William R. Burnett,\u00a0Underworld &#8211; Romans noirs\u00a0(The Asphalt Jungle;\u00a0Little Men, Big World;\u00a0Vanity Row;\u00a0Underdog; The Cool Man, documents et journal in\u00e9dit).\u00a0Introduction, notices, vie et \u0153uvres, filmographie. Paris, Gallimard, coll. \u00ab\u00a0Quarto\u00a0\u00bb, 2019.<\/p>\n<p>Tang, Maria. \u00ab\u00a0Bodies at risk: Ambiguous Subjectivities in Rachel Cusk&rsquo;s\u00a0Arlington Park:\u00a0A Beauvoirean perspective\u00a0\u00bb. In\u00a0<em>CLC: Rachel Cusk<\/em>, ed. Peter Childs, Cengage\/Gale, 2019, vol 450.<\/p>\n<p>Tang, Maria, The Uses of Myth in <em>Middlemarch, <\/em>In J-C Perquin (ed), <em>George Eliot: Middlemarch. Agr\u00e9gation Anglais<\/em>, Ellipses, 2019, 117-137.<\/p>\n<h2>2018<\/h2>\n<p>Villess\u00e8che, Julie, Olivier Le Bohec, Christophe Quaireau, J\u00e9r\u00e9mie Nogues, Anne-Laure Besnard, Sandrine Oriez, Fanny De La Haye, Yvonnick Noel, Karine Lavandier. 2018. \u00ab Enhancing reading skills through adaptive e-learning \u00bb, Interactive Technology and Smart Education. <a title=\"ouverture d'un nouvel onglet\" href=\"https:\/\/doi.org\/10.1108\/ITSE-07-2018-0047\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/doi.org\/10.1108\/ITSE-07-2018-0047<\/a><\/p>\n<p><span style=\"mso-ansi-language: EN-US;\">Cloarec, Nicole. \u201cRecasting the Iron Lady into Flesh and Blood: Gender Performance and Politics in Three Thatcher Biopics\u201d in<em> Biography<\/em>, vol. 41, no. 3, Summer 2018, \u201cPolitical Biography in Literature and Cinema,\u201d University of Hawai&rsquo;i Press, p.630-53, <\/span><a href=\"https:\/\/www.uhpress.hawaii.edu\/title\/bio\/\">https:\/\/www.uhpress.hawaii.edu\/title\/bio\/<\/a><\/p>\n<p><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\">Cloarec, Nicole. \u201cIn search of Purcell\u2019s legacy: Tony Palmer\u2019s <em style=\"mso-bidi-font-style: normal;\">England, My England<\/em> (1995,\u201d <em style=\"mso-bidi-font-style: normal;\">in<\/em> <em style=\"mso-bidi-font-style: normal;\">Women Activists and Civil Rights Leaders in Auto\/Biographical Literature and Films<\/em>, Delphine Letort &amp; Benaouda Lebdai (eds), London: Palgrave Macmillan, 2018, p.207-20.<\/span><\/p>\n<p>Dickason, Ren\u00e9e. Bibliographie comment\u00e9e (in La revue <em>Historiens &amp; G\u00e9ographes<\/em>), 2018.<\/p>\n<p>Dickason, Ren\u00e9e, Fr\u00e9d\u00e9ric Attal, Marjolaine Boutet, Christian Delporte, Thomas H\u00f6pel, Philippe Poirrier, \u00a0\u00ab\u00a0Chapitre 9 \u2013 Pouvoirs et culture\u00a0\u00bb, in Christian Delporte et Caroline Moine (dirs.),\u00a0<em>Culture, M\u00e9dias, Pouvoirs aux Etats-Unis et en Europe occidentale, 1945-1991<\/em>, Armand Colin, 2018, pp. 211-232<\/p>\n<p>Dickason, Ren\u00e9e, Riccardo Brizzi, Christian Delporte, Jean-Paul Gabilliet, Karine Rivi\u00e8re-De Franco, \u00a0\u00ab\u00a0Chapitre 10 \u2013 Pouvoirs et m\u00e9dias\u00a0\u00bb, in Christian Delporte et Caroline Moine (dirs.),\u00a0<em>Culture, M\u00e9dias, Pouvoirs aux Etats-Unis et en Europe occidentale, 1945-1991<\/em>, Armand Colin, 2018, pp. 233-261<\/p>\n<p>Dickason, Ren\u00e9e, Fr\u00e9d\u00e9ric Attal, Marjolaine Boutet, Caroline Moine, Fran\u00e7ois Robinet, \u00a0\u00ab\u00a0Chapitre 12 \u2013 Culture audiovisuelle\u00a0: vers la globalisation culturelle\u00a0?\u00a0\u00bb, in Christian Delporte et Caroline Moine (dirs.),\u00a0<em>Culture, M\u00e9dias, Pouvoirs aux Etats-Unis et en Europe occidentale, 1945-1991,<\/em> Armand Colin, 2018, pp. 285-313<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs. \u00ab\u00a0Gossip Girl and The CW: defining a new network. (You\u2019re nobody until you\u2019re talked about).\u00a0\u00bb S<em>eries &#8211; International Journal of TV Serial Narratives<\/em>, v. 4, n. 2, p. 9-18, dec. 2018. Disponible <a title=\"ouverture d'un nouvel onglet\" href=\"https:\/\/series.unibo.it\/article\/view\/8190\" target=\"_blank\" rel=\"noopener noreferrer\">en ligne<\/a><\/p>\n<p>Oriez, Sandrine,<em> Linguistique \u00e9nonciative<\/em>, Rennes, Presses Universitaires de Rennes, 636 pages, 2018.<\/p>\n<p>Marie-Claude Barbier et C\u00e9cile Perrot (dir.), <em>Afrique du Sud : M\u00e9moire, h\u00e9ritages et ruptures<\/em>, collection Racisme et Eug\u00e9nisme, L&rsquo;Harmattan, septembre 2018.<\/p>\n<p>St\u00e9phane Porion, Charlotte Barcat, C\u00e9cile Coquet-Mokoko, Delphine David, C\u00e9cile Perrot, <em>M\u00e9moire\u00a0: h\u00e9ritages et ruptures<\/em>, \u00e9ditions Atlande, clefs concours, janvier 2018.<\/p>\n<p>Tadi\u00e9, Beno\u00eet. <em>Front criminel\u00a0: une histoire du polar am\u00e9ricain de 1919 \u00e0 nos jours<\/em>.\u00a0Paris, PUF, 2018.<\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0The Invention of Dublin as \u00a0\u00bbNaissance de la clinique\u00a0\u00bb:\u00a0Cognition and Pathology in Dubliners\u00a0\u00bb. <em>Cognitive Joyce<\/em>, ed. V. B\u00e9n\u00e9jam et S. Belluc. London, Palgrave Macmillan, 2018.<\/p>\n<p>Tadi\u00e9 Beno\u00eet. \u00ab\u00a0D\u00e9mocratie criminelle\u00a0: les p\u00e9riodiques de\u00a0true crime\u00a0am\u00e9ricains, de la\u00a0National Police Gazette\u00a0\u00e0\u00a0True Detective\u00a0\u00bb,\u00a0<em>Criminocorpus<\/em>\u00a0[<a title=\"ouverture d'un nouvel onglet\" href=\"http:\/\/journals.openedition.org\/criminocorpus\/5178\" target=\"_blank\" rel=\"noopener noreferrer\">En ligne<\/a>], D\u00e9tective, histoire, imaginaire, m\u00e9diapo\u00e9tique d\u2019un hebdomadaire de fait divers (1928-1940),\u00a0d\u00e9cembre 2018.<\/p>\n<p>Tang, Maria. \u00ab\u00a0Matter on the Move: The Poetics and Politics of Human and Nonhuman Migration in Ruth Padel\u2019s\u00a0The Mara Crossing\u00a0\u00bb. In\u00a0<em>Caliban. French Journal of English Studies<\/em>,\u00a0vol. 59, Anglophone Travel and Exploration Writing: Meetings between the Human and Nonhuman, 2018, pp. 189\u2013205.<\/p>\n<h2>2017<\/h2>\n<p>Besnard, Anne-Laure. \u00ab BE likely to and BE expected to, epistemic modality or evidentiality? Markers of (non)commitment in newspaper discourse \u00bb. In Mar\u00edn-Arrese, Juana, Gerda Ha\u00dfler, et Marta Carretero, \u00e9ds. Evidentiality Revisited : Cognitive Grammar, Functional and Discourse-Pragmatic Perspectives. John Benjamins. 2017. pp.249-269.<\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400;\">Cloarec, Nicole.<\/span><span style=\"font-size: 12.0pt;\"> \u201c<span style=\"mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\">Kitsch and Avant-garde Television in Blackpool (<\/span>Peter<span style=\"mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"> B<\/span>owker, <span style=\"mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\">BBC, 2004),\u201d<\/span> in \u201cThe Specificities of Kitsch in the Cinema of English-speaking Countries \/ Les sp\u00e9cificit\u00e9s du kitsch dans le cin\u00e9ma Anglophone,\u201d <em>Revue LISA\/LISA e-journal<\/em>, <a href=\"http:\/\/lisa.revues.org\/\">http:\/\/lisa.revues.org\/<\/a> sous la direction de Nicole Cloarec Isabelle Le Corff, vol. XV-n\u00b01\u00a0|\u00a02017, <a href=\"http:\/\/lisa.revues.org\/9070\">http:\/\/lisa.revues.org\/9070<\/a><\/span><\/p>\n<p><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400; mso-bidi-font-style: italic;\">Cloarec, Nicole<\/span>,<span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\"> \u201cTunes of glory or jarring notes? Filming the Great War in music: <em style=\"mso-bidi-font-style: normal;\">Oh! What a Lovely War<\/em> (Richard Attenborough, 1969) and <em style=\"mso-bidi-font-style: normal;\">War Requiem<\/em> (Derek Jarman, 1989),\u201d <em style=\"mso-bidi-font-style: normal;\">in<\/em> <em style=\"mso-bidi-font-style: normal;\">War Memories: Commemoration, Recollections, and Writings on War<\/em>, St\u00e9phanie A.H. B\u00e9langer &amp; Ren\u00e9e Dickason (eds), Montreal &amp; Kingston. London. Chicago: McGill-Queen\u2019s University Press, May 2017, p350-69. <\/span><span style=\"font-size: 12.0pt; mso-ansi-language: EN-US;\">http:\/\/www.mqup.ca\/war-memories-products-9780773547940.php?page_id=73&amp;<\/span><\/p>\n<p>Dardenne, Emilie. <em>Peter Singer et La lib\u00e9ration animale. Quarante ans plus tard<\/em>, avec Val\u00e9ry Giroux et Enrique Utria (dir.), Rennes : Presses Universitaires de Rennes, 2017.<\/p>\n<p>Dardenne, Emilie. \u201cLa lib\u00e9ration animale\u00a0: quarante ans de th\u00e9orisation pass\u00e9s au crible\u201d, in <em>Peter Singer, La lib\u00e9ration animale\u00a0: quarante ans plus tard<\/em>, sous la direction d\u2019Emilie Dardenne, Val\u00e9ry Giroux et Enrique Utria, Rennes\u00a0: Presses Universitaires de Rennes, 2017.<\/p>\n<p>Dickason, Ren\u00e9e. \u201cVisions of Rurality in Popular British Fictional Television Series from the 1970s to the Present Day\u201d, in David Haigron (ed.), <em>The English Countryside: Representations, Identities, Mutations<\/em>, Palgrave-Macmillan, 2017, pp. 83-111<\/p>\n<p>Dickason, Ren\u00e9e. \u201c(Re)Telling World War II in British Comic-Land from the 1940s to the 1960s\u201d, Part three: Collective War Memories in Art and Popular Fictions, in Ren\u00e9e Dickason &amp; St\u00e9phanie\u00a0A.H. B\u00e9langer (eds.), <em>War Memories, Commemoration, Recollections, and Writings on War<\/em>, Montreal, Canada, McGill-Queen\u2019s University Press, 2017, pp. 235-256<\/p>\n<p>St\u00e9phanie\u00a0A.H. B\u00e9langer et Ren\u00e9e Dickason (eds.), <em>War Memories, Commemoration, Recollections, and Writings on War<\/em>, Vol. I, Montreal, Canada, McGill-Queen\u2019s University Press, 2017.<\/p>\n<p>David Haigron (ed.), <em>The English Countryside: Representations, Identities, Mutations<\/em>, Basingstoke: Palgrave Macmillan, 2017.<\/p>\n<p>Larson, Anthony, (dir.). \u00ab\u00a0L&rsquo;imposture\/Fakery\u00a0\u00bb, <em>Revue Fran\u00e7aise d&rsquo;Etudes Am\u00e9ricaines<\/em>, num\u00e9ro 150, Belin, premier trimestre 2017.<\/p>\n<p>Oriez, Sandrine. <em>Linguistique anglaise<\/em>, Rennes, PUR, 2017.<\/p>\n<p><span style=\"font-size: 12.0pt; mso-bidi-font-weight: bold;\">PAREY Armelle, <\/span><strong><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400;\">CLOAREC, Nicole,<\/span><\/strong><span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-ansi-language: #0400; mso-fareast-language: #0400;\"> FORTIN-TOURNES Anne-Laure<\/span> <span style=\"font-size: 12.0pt; mso-fareast-font-family: Times; mso-fareast-language: #0400; mso-bidi-font-weight: bold;\">(<\/span><span style=\"font-size: 12.0pt; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\">2017)\u00a0: <em>Ian\u00a0McEwan&rsquo;s\u00a0<\/em><\/span><span style=\"font-size: 12.0pt; mso-bidi-font-weight: bold;\">Atonement\u00a0<em>and Joe Wright&rsquo;s Film Adaptation<\/em>,\u00a0collection \u00ab\u00a0agr\u00e9gation, anglais\u00a0\u00bb. Paris: Ellipses, 2017, 240 pages, <\/span><span style=\"font-size: 12.0pt;\"><a href=\"http:\/\/www.editions-ellipses.fr\/PDF\/9782340021273_tdm.pdf\">http:\/\/www.editions-ellipses.fr\/PDF\/9782340021273_tdm.pdf<\/a><\/span><\/p>\n<p>Perrot, C\u00e9cile. \u00ab R\u00e9voltes \u00e9tudiantes en Afrique du Sud : quand la g\u00e9n\u00e9ration arc-en-ciel entre dans une col\u00e8re noire \u00bb, dans Michel Prum, <em>Cat\u00e9goriser l\u2019autre<\/em>, Paris, L\u2019Harmattan, 2017, 75-91.<\/p>\n<p>Perrot, C\u00e9cile. \u00ab Being a Black Rural Woman in South Africa Today \u00bb, dans Ludivine Royer (dir.), <em>Violence and Intersectionality<\/em>, Presses de l\u2019Universit\u00e9 de La R\u00e9union, revue \u2018Aliz\u00e9s\u2019 n\u00b042, d\u00e9cembre 2017.<\/p>\n<p>Prendiville, B., \u00ab\u00a0Rural Protest in England\u00a0\u00bb, <em>The English Countryside: Identities, Mutations, and Representations<\/em>, Ed. D. Haigron, Springer International Publishing, 2017.<\/p>\n<p>Roulland, Daniel. \u00ab Langage et r\u00e9plication \u00bb, <em>Intellectica<\/em> 2017\/2, 68, pp. 69-97.Tadi\u00e9, Beno\u00eet.\u00a0 \u00ab\u00a0A Conversation with Richard Layman\u00a0\u00bb,\u00a0<em>Transatlantica<\/em>\u00a0[<a title=\"ouverture d'un nouvel onglet\" href=\"http:\/\/journals.openedition.org\/transatlantica\/8961\" target=\"_blank\" rel=\"noopener noreferrer\">En ligne<\/a>], 1\u00a0|\u00a02017.<\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0\u201cA Strange Two-Front Class War\u201d: New Masses, Pulp Fiction and the Quest for Proletarian Literature\u00a0\u00bb. <em>Revue fran\u00e7aise d\u2019\u00e9tudes am\u00e9ricaines<\/em>, n\u00b0 151, 2\u00e8me semestre 2017.<\/p>\n<h2>2016<\/h2>\n<p>Besnard, Anne-Laure. \u00ab BE able to and the categorization of modal markers in English: A corpus-based study \u00bb. In Bellamy, Kate, Elena Karvovskaya, Martin Kohlberger, et George Saad, \u00e9ds. ConSOLE XXIII: Proceedings of the 23rd Conference of the Student Organization of Linguistics in Europe (7-9 January 2015, Paris). Leiden : Leiden University Centre for Linguistics. 2016. pp.135-149.<\/p>\n<p>Dardenne, Emilie. \u00ab\u00a0La lib\u00e9ration animale de Peter Singer. Fondements et critiques\u00a0\u00bb, dans Alexia Martin (dir.), <em>Babel<\/em>, coll. Civilisations, num\u00e9ro sp\u00e9cial \u00ab\u00a0La place des animaux dans les soci\u00e9t\u00e9s anglophones contemporaines\u00a0\u00bb, vol. XI, 2016, p. 145-168.<\/p>\n<p>Dickason, Ren\u00e9e. \u201cSocial Class and Class Distinctions in &lsquo;Britcoms&rsquo; (1950s-2000s)\u201d, in Nicole Cloarec, David Haigron et Delphine Letort (dirs.), <em>Social Class on British and American Screens: Essays on Cinema and Television<\/em>, Jefferson NC, McFarland, 2016, pp. 34-57<\/p>\n<p>Haigron, David. 5 contributions bilingues \u00e0 Emmanuel Roudaut (dir.), <em>Affiches politiques britanniques du premier XXe si\u00e8cle \/ Early Twentieth-Century British Political Posters<\/em>, Paris, Mare &amp; Martin, coll. \u00ab\u00a0Res Anglophonia\u00a0\u00bb, 2016.<\/p>\n<p>Haigron, David. \u00ab\u00a0Our War (BBC3) \u2013 The War in Afghanistan as Filmed by British Soldiers: From Capturing the Real to Building a Narrative and a Discourse\u00a0\u00bb, in St\u00e9phanie B\u00e9langer &amp; Ren\u00e9e Dickason (eds.), <em>War Memories: Commemoration, Recollections, and Writings on War<\/em>, Montreal, McGill-Queen\u2019s University Press, 2016, pp.\u00a0314-333.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs. \u00ab\u00a0Sex and the City: a Feminine Franchise\u00a0\u00bb, <em>Mediascapes Journal<\/em> 6\/2016, disponible <a title=\"ouverture d'un nouvel onglet\" href=\"https:\/\/ojs.uniroma1.it\/index.php\/mediascapes\/article\/view\/13718\/13504\" target=\"_blank\" rel=\"noopener noreferrer\">en ligne<\/a><\/p>\n<p>Le Fustec, Claude (dir.) \u00ab\u00a0Approches transdisciplinaires du spirituel dans les lettres et les arts occidentaux contemporains\u00a0\u00bb, <em>Cosmopolis. Revue de Cosmopolitique<\/em>, n\u00b0 3-4, 2016, pp. 1-87<\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0La ville du polar am\u00e9ricain\u00a0: images et exp\u00e9rience\u00a0\u00bb. <em>Belph\u00e9gor<\/em> [<a title=\"ouverture d'un nouvel onglet\" href=\"http:\/\/belphegor.revues.org\/750\" target=\"_blank\" rel=\"noopener noreferrer\">En ligne<\/a>], 14\u00a0|\u00a02016.<\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0The Long Goodbyes\u00a0: Raymond Chandler\u2019s Poetics of Disappearance and\u00a0 Loss\u00a0\u00bb. <em>Caliban<\/em> n\u00b0 56, 2016.<\/p>\n<h2>2015<\/h2>\n<p>Bauer, Sylvie. \u00ab \u201cPrivate Turbulent Seas\u201d: \u201cpainting The Moon\u201d In Cutting Lisa, By Percival Everett \u00bb, <em>Lectures du Monde Anglophone \/ LMA<\/em>, [<a title=\"ouverture d'un nouvel onglet\" href=\"http:\/\/eriac.univ-rouen.fr\/private-turbulent-seas-painting-the-moon-in-cutting-lisaem-by-percival-everett\/\" target=\"_blank\" rel=\"noopener noreferrer\">En ligne<\/a>] 1, 2015, Percival Everett.<\/p>\n<p>Cloarec, Nicole, Haigron David, Letort Delphine (eds.), <em>Social Class on British and American Screens: Essays on Cinema and Television<\/em>, Jefferson, NC: McFarland, 2015, 257 p.<\/p>\n<p>Dickason, Ren\u00e9e. \u00ab M\u00e9langes t\u00e9l\u00e9visuels : m\u00e9lodrames, enqu\u00eates polici\u00e8res, com\u00e9dies de situation britanniques (1955-2005) \u00bb, in <em>Hommage \u00e0 Jean-Claude Sergeant, Revue Fran\u00e7aise de Civilisation Britannique<\/em>, Paris, 2015, pp. 37-55<\/p>\n<p>Dickason, Ren\u00e9e. \u201cThe Nuanced Comic Perspectives of the Cartoons in Mr. Punch\u2019s History of the Great War\u201d, in C. Tholas-Disset &amp; K. Ritzenhoff (eds.), <em>Humor, Entertainment and Popular Culture during World War I<\/em>, New York: Palgrave Macmillan, 2015, pp. 123-134<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs. \u00ab La franchise Gossip Girl : r\u00e9putation et consommation au c\u0153ur des nouveaux mod\u00e8les d&rsquo;exp\u00e9riences s\u00e9rielles \u00bb, <em>Revue Fran\u00e7aise d&rsquo;Etudes Am\u00e9ricaines<\/em>, Num\u00e9ro sp\u00e9cial 145 \u00ab\u00a0Les Etats-Unis : Mod\u00e8les, Contre-Mod\u00e8les\u00a0\u00bb, 2015\/4.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs. \u00ab\u00a0Doublage au f\u00e9minin : transposer le genre\u00a0\u00bb, <em>Genre en s\u00e9ries : cin\u00e9ma, t\u00e9l\u00e9vision, m\u00e9dias<\/em> n\u00b02, disponible <a title=\"ouverture d'un nouvel onglet\" href=\"http:\/\/genreenseries.weebly.com\/uploads\/1\/1\/4\/4\/11440046\/ges_n%C2%B02_le_fevre_berthelot.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">en ligne<\/a>.<\/p>\n<p>Le F\u00e8vre-Berthelot, Ana\u00efs. \u00ab Voix de ch\u0153ur\/voix du c\u0153ur : musique et paroles dans Ally McBeal\u00a0\u00bb, in C. Carayol et J.\u00a0Rossi (dir.), <em>La Musique dans les s\u00e9ries t\u00e9l\u00e9visuelles<\/em>, Presses Universitaires de Rennes, 2015.<\/p>\n<p>Le Fustec, Claude. <em>Northrop Frye and American Fiction<\/em>, Presses de l&rsquo;Universit\u00e9 de Toronto, 2015. [<a title=\"ouverture d'un nouvel onglet\" href=\"https:\/\/journals.openedition.org\/transatlantica\/8050\" target=\"_blank\" rel=\"noopener noreferrer\">Recension<\/a> de l&rsquo;ouvrage]<\/p>\n<p>Le Fustec, Claude, Fran\u00e7oise Storey et Jeffrey Storey (dir.). <em>Th\u00e9oriser le spirituel? Approches transdisciplinaires de la spiritualit\u00e9 dans les Arts et les Sciences<\/em>, Editions Modulaires Europ\u00e9ennes, coll. Esth\u00e9tique et Spiritualit\u00e9,\u00a0Bruxelles, 2015.<\/p>\n<p>Perrot, C\u00e9cile. \u00ab La discrimination positive en Afrique du Sud : un choix incontournable? \u00bb dans Michel Prum, <em>Ethnicit\u00e9s et construction identitaire dans l\u2019aire anglophone<\/em>, Paris, L\u2019Harmattan, 2015, 105-125.<\/p>\n<p>Prendiville, B., \u00ab\u00a0The Green Party: \u2018Green Surge\u2019 or Work in Progress?\u00a0\u00bb, <em>Revue Fran\u00e7aise de Civilisation Britannique<\/em> (<a title=\"ouverture d'un nouvel onglet\" href=\"https:\/\/rfcb.revues.org\/474\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/rfcb.revues.org\/474<\/a>), 2015.<\/p>\n<p>Prendiville, B., \u00ab\u00a0Climate Change in Britain: Policy and Politics\u00a0\u00bb,<em>\u00a0Green Growth<\/em>, Newcastle, Cambridge Scholars Publishing, 2015.<\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0Un dialogue transatlantique : la S\u00e9rie Noire et le roman noir am\u00e9ricain\u00a0\u00bb. <em>C\u2019est l\u2019histoire de la S\u00e9rie noire 1945-2015<\/em>, dir. F. Lhomeau et A. Cerisier. Paris, Gallimard, 2015.<\/p>\n<p>Tadi\u00e9, Beno\u00eet. \u00ab\u00a0Les Nuits de Chicago\u00a0: la r\u00e9ception des films de gangsters am\u00e9ricains en France (1928-1929)\u00a0\u00bb. <em>Cin\u00e9ma premiers crimes,<\/em> dir. A. Carou et M. Letourneux. Paris biblioth\u00e8ques, 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 para\u00eetre Sous presse \/ en cours \/ accept\u00e9s : Actes du colloque \u00ab\u00a0Temporalit\u00e9s alternatives\u00a0\u00bb : UQAM mai 2023 Actes du colloque \u00ab Ma\u00eetres&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-58","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/pages\/58","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/comments?post=58"}],"version-history":[{"count":87,"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/pages\/58\/revisions"}],"predecessor-version":[{"id":2378,"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/pages\/58\/revisions\/2378"}],"up":[{"embeddable":true,"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/pages\/5"}],"wp:attachment":[{"href":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/wp-json\/wp\/v2\/media?parent=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}