{"id":759,"date":"2022-05-10T09:16:30","date_gmt":"2022-05-10T07:16:30","guid":{"rendered":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/?post_type=tribe_events&p=759"},"modified":"2022-07-08T09:55:32","modified_gmt":"2022-07-08T07:55:32","slug":"modernist-structures-4th-biennal-conference-of-the-societe-detudes-modernistes","status":"publish","type":"tribe_events","link":"https:\/\/sites-recherche.univ-rennes2.fr\/ace\/evenement\/modernist-structures-4th-biennal-conference-of-the-societe-detudes-modernistes\/","title":{"rendered":"Modernist Structures \u2013 4th Biennal Conference of the Soci\u00e9t\u00e9 d’\u00e9tudes modernistes"},"content":{"rendered":"

\"\"<\/span><\/h3>\n

Wednesday June 15, 2022<\/span><\/h3>\n

8:30-9:15. <\/span><\/h4>\n

Welcome Desk and Registration. Coffee and Tea. Guided tour of artwork on
Campus I (departs 8:45, lasts 30 minutes)<\/span><\/p>\n

9:15-9:45. <\/span><\/h4>\n

Opening welcome greetings from Lamri Adoui, the President of Universit\u00e9 Caen
Normandie, and Fran\u00e7oise Baillet, the Head of ERIBIA Research Team, and Beno\u00eet Tadi\u00e9,
President of the Soci\u00e9t\u00e9 d\u2019Etudes Modernistes.<\/span><\/p>\n

9:45-11:15 Panels I<\/span><\/h4>\n

Structures in Narrative Theory and Poetics \/ Moderator: Beno\u00eet Tadi\u00e9<\/strong>
Olivier Hercend (Universit\u00e9 Paris Nanterre). Beyond Structures: High Modernism and the
Concept of \u201cPraxis.\u201d
Raluca Petrescu (Universit\u00e9 de Strasbourg). \u201cAn immaculate fulfillment in which we have
no part\u201d: intermediary structures between perception and reality in William Carlos Williams\u2019
poetic discourse.
Maria Farland (Fordham University, USA). \u201cYankee Agrarian \u2019\u2019 : Robert Frost, Sherwood
Anderson, and Modernity\u2019s Structures of Rural Anomie.<\/span><\/p>\n

11:15-11:45 Pause<\/span><\/p>\n

11:45-13:00 Panels II <\/span><\/h4>\n

International Djuna Barnes Society \/ Moderator: Yasna Bozhkova<\/strong>
Sanna Melin Schyllert (Universit\u00e9 Paris 3-Sorbonne Nouvelle). \u2018A woman can be civilized
beyond civilization and she can be beast beyond beast.\u2019 Motherhood and performativity in
Djuna Barnes\u2019s Ryder (1928).
Margaret Gillespie (Universit\u00e9 Franche-Comt\u00e9). \u201cRobin is incest too, that is one of her
powers\u201d or telling without telling: incest narratives in Djuna Barnes\u2019s Nightwood (1936).
Amy Wells (Universit\u00e9 Caen Normandie). From Page to Stage: The Disturbing Structures of
Djuna Barnes\u2019s Antiphon.
<\/span><\/p>\n

13:00-14:30 Buffet Lunch<\/span><\/p>\n

14:30-15:30 Plenary Keynote I: Bonnie Kime Scott (San Diego State University) Expanding Visions for Modernist Networks. Moderator: Amy Wells<\/span><\/h4>\n

15:30-16:00 Presto Coffee\/Tea and 10-minute walk to museum.<\/span><\/p>\n

16:00. Thematic \u201cModernist Structures\u201d visit of the Mus\u00e9e des Beaux Arts.<\/span><\/h4>\n

18:00. Cocktail Party at the Museum \/ Caf\u00e9 Mancel (Free, sponsored by Clemson University
Press) and dinner on your own.<\/span><\/p>\n

Thursday, June 16, 2022<\/span><\/h3>\n

9:00\u201310:30. Panels III<\/span><\/h4>\n

Women Modernists: Exile and the New \/ Moderator: Margaret Gillespie<\/strong>
Catherine Delesalle-Nancey (Universit\u00e9 Jean Moulin-Lyon 3). Escaping structure through
structure in Olive Moore\u2019s Spleen.
Kalee Hall (Brandeis University, USA). Constructing White Female Identity through
Colonial Structures in Jane Bowles\u2019s Two Serious Ladies.
Ruchi Mundeja (Lakshmibai College, University of Delhi, India). Time-Framing
Modernism Through the Blurring Time-Frames of Jean Rhys\u2019s Fiction.<\/span><\/p>\n

10:30-11:00. Coffee\/Tea.<\/span><\/p>\n

11:00-12:00. Plenary Keynote II: Andrew Thacker (Nottingham Trent University, UK). \u201cA love for the spirit of what is
new \u2019\u2019 : on Bookshops and Other Modernist Structures. Moderator: H\u00e9l\u00e8ne Aj<\/span><\/h4>\n

12:00\u201313:15. Buffet Lunch. Guided tour of Artworks on Campus I (departs 12:45, lasts 30
minutes).<\/span><\/p>\n

13:15-14:45 Panels IV<\/span><\/h4>\n

A. Artistic Matters \/ Moderator: Jennifer Kilgore-Caradec<\/strong>
Gina Stamm (University of Alabama, Tuscaloosa, USA). \u201cThe Palace(s) at 4 am \u2019\u2019 :
Representing the fragility of domestic space.
Lynn Somers (Drew University, USA). False Fronts and Dead Ends: Walker Evans\u2019s
Vernacular Modernism.
James Strowman (Durham University\/Universit\u00e9 Paris Cit\u00e9). \u2018Dear Ezra, who knows what
cadence is\u2019: Musical Settings of Modernist Poetry.<\/span><\/p>\n

B. Structuring\/Unstructuring Gendered Narratives \/ Moderator: Beno\u00eet Tadi\u00e9<\/strong>
Elizabeth Pitcherit (University of Texas at Austin). \u201cRevolutionary Possibilities:\u201d
Disability, Technology, and Narrative Structure in Leonora Carrington\u2019s The Hearing
Trumpet.
Diane Drouin (Sorbonne Universit\u00e9). The Kaleidosopic Structure of Mina Loy\u2019s
Autobiographical Project.
Nicolas Piedade (Universit\u00e9 de Limoges). Fernando Pessoa, writer of the thresholds?
Modernism, Heteronymy and Second-Degree Narratives.<\/span><\/p>\n

14:45-15:45. Plenary Keynote III: Kenneth Haynes (Brown University). Late Style and Late Modernism: Raving, Ranting, Silence, and Senility. Moderator: Jennifer Kilgore-Caradec<\/span><\/h4>\n

15:45-16:15. Coffee\/Tea<\/span><\/p>\n

16:15-17:45. Panels V<\/span><\/h4>\n

A. Politics, Pedagogy, Formalism, Structuralism, and Subversion \/ Moderator: Olivier Hercend<\/strong>
Maurice N. Fadel (New Bulgarian University, Sofia, Bulgaria). From Formalism to
Structuralism.
Arielle Marshall (University of Sydney, Australia). Structures of Subversion: the dissident
production of Surrealist text 1929.
Marius Hentea (University of Gothenburg, Sweden). The ‘Moral Trials’ of Francis Stuart:
The Political Afterlives of Irish Neutrality.<\/span><\/p>\n

B. Visual Matters: Blurrings and Alternatives of the eye and the mind\u2019s eye \/ Moderator: Diane Drouin<\/strong>
Pavilina Radia (Nipissing University, Canada). The Metachoric Structures of Valentine de
Saint-Point\u2019s Alternative Futurism.
Herv\u00e9 Picherit (University of Texas at Austin). Not Seeing is Believing: Recognizing
Absence in George Perec\u2019s La Disparation.
Colin Ripley (Ryerson University, Canada). Of walls and flowers: On the dissolution of
identity.
Christina Heflin (Royal Holloway University of London, UK). Surrealism, Marine Life and
Non-Ocular Modes of Sensing.<\/span><\/p>\n

18:00-19:15 POETRY READING \/ Moderator: Jennifer Kilgore-Caradec<\/span><\/h4>\n

Alexandre Ferrere (Universit\u00e9 Paris Nanterre and Cherbourg). <\/span><\/p>\n

After working at the home of
poet Jacques Pr\u00e9vert, located in Normandy, he is the author of two chapbooks: mono\/stitches
(2020) and Adi Os (2022). Access his work here: https:\/\/neutralspaces.co\/alexandre_ferrere
Biljana D. Obradovic (Xavier University of Louisiana, New Orleans, USA). Author of
Frozen Embraces (1997 in Serbian, bilingual edition with English 2000), Little Disruptions
(2012 in Serbian, 2022 in English), Le Riche Monde (bilingual edition, 1999), and Incognito
(2017). Access her work here: https:\/\/biljanaobradovic.wordpress.com
Ron Smith (St. Christopher\u2019s School, Richmond, Virginia, USA). Poet Laureate of Virginia
(2014-2016) and author of five collections including The Humility of the Brutes (2017), Its
Ghostly Workshop (2013), and Moon Road: Poems 1986-2005 (2007). Read his \u201cDon\u2019t Know
Much About the French I Took\u201d: https:\/\/medium.com\/birth-school-work-death\/dont-know-
much-about-the-french-i-took-a-poem-by-ron-smith-ac6b4e0084a2
<\/span><\/p>\n

20:00. Conference Banquet Dinner in Caen.<\/span><\/p>\n

Friday, June 17, 2022<\/span><\/h3>\n

9:00\u201310:45 Panels VI<\/span><\/h4>\n

Comparative & Structuralist Structures \/ Moderator: Charlotte Estrade<\/strong>
Martina Morabito (University of Urbino Carlo Bo, Italy). The Poetic Atlases and Poetic
Identity in Russian Symbolism.
Sookyoung Lee (St. Lawrence University, USA). Economic Taproots of Modernism: The
Poetry of Yeats, Tagore, and Zhimo by way of Keynes.
Yasna Bozhkova (Universit\u00e9 Sorbonne Nouvelle). \u201cDwell[ing] in Possibility\u2014\u201d: Dash
Structures in Modernist Poetry.
Ioanna Ragoussi (Independent Scholar, Greece). Electric Bodies \/ Verbal Structures:
Machine Poetics in the work of Gertrude Stein and William Carlos Williams.<\/span><\/p>\n

10:45-11:05. Coffee\/Tea Presto<\/span><\/p>\n

11:15. Leave for IMEC<\/span><\/p>\n

11:45-12:45. Modernist Picnic<\/span><\/p>\n

12h45-13:45. Visit and presentation of the archives.<\/span><\/p>\n

13:45 -16:15. Panels VII<\/span><\/h4>\n

Structures of Memory in the Poetry of Geoffrey Hill \/ Moderator: Kenneth Haynes<\/strong>

Mathieu Duplay (Universit\u00e9 de Paris). Geoffrey Hill\/Alice Goodman: Opera and the
Democracy of the Dead.
Madeline Potter (University of York, UK). \u201cDemocracy is in the voice\u201d: Polyphony, Music,
and Witness in Geoffrey Hill\u2019s Poetry.
Sean Mark (Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne). \u201cMuted discords\u201d: On Geoffrey Hill
and Eugenio Montale.
Jennifer Kilgore-Caradec (Universit\u00e9 Caen Normandie). When correspondence becomes a
structuring process: the Gallet\/Hill correspondence.<\/span><\/p>\n

16:15-17:00 Concluding Round Table with Beno\u00eet Tadi\u00e9 (President of the Soci\u00e9t\u00e9 d\u2019Etudes
Modernistes, Universit\u00e9 Rennes 2), Amy Wells, Jennifer Kilgore-Caradec, H\u00e9l\u00e8ne Aji
(Ecole normale sup\u00e9rieure) and Albert Dichy (IMEC) and\/or Fran\u00e7ois Bordes (IMEC).<\/span><\/h4>\n

17:00 IMEC Closes. Return to Caen on your own: public transport bus stop or taxis can be
shared (Taxi Abeille Caen: 02 31 52 17 89. NB: if you need to return to Paris in the evening,
perhaps it would be best to book a train after 18:30).<\/span><\/p>\n

Saturday, June 18, 2022: Excursion<\/span><\/h4>\n

Modernist Structures at D-Day Landing Beaches.
(Event for those who have pre-registered in advance or at registration if space available.)
\u2022 8:00. Departure by bus (meeting point to be announced), accompanied by registered tour
guide.
\u2022 Morning: Omaha Beach, American Cemetery (1956).
\u2022 Lunch: Restaurant in Bayeux (to be announced).
\u2022 Afternoon: Visit Bayeux Tapestry (https:\/\/www.bayeuxmuseum.com\/la-tapisserie-de-bayeux),
and Arromanches.
\u2022 Return to Caen, Campus 1 by 18:30. Return trains to Paris possible at 19:59, 20:20, and 20:56.
(N.B. Weather conditions may impact the timing or other details of our visit).
<\/span><\/p>\n

June 18, 2021, Virtual Keynote by Caroline Levine (Cornell University). Revaluing
Structure in the Climate Crisis. https:\/\/www.unicaen.fr\/recherche\/mrsh\/forge\/7188<\/a>
\n<\/span><\/h4>\n","protected":false},"excerpt":{"rendered":"

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